Screenplay 1915 – Armenia

Title: The False Messiah
Written by: Joseph C. Jukic


Act 1: The Rise of Sabbatai Zvi

Opening Scene:
1666, Salonica (modern Thessaloniki). The bustling streets are alive with the chatter of merchants, the clinking of coins, and the hum of prayer. The camera pans to Sabbatai Zvi, a striking figure with piercing eyes and a commanding presence, addressing a crowd of Jewish followers in the marketplace.

Sabbatai Zvi (to the crowd):
“The time has come! The Messiah walks among you, and I am He. Together, we shall return to Zion, to reclaim the Promised Land.”

Narration (Voiceover):
“Sabbatai Zvi’s proclamation electrified the Jewish world. But beneath his charisma lay a dangerous undercurrent of ambition and secrecy.”

Cut to: A shadowy meeting in a dimly lit room. Emmanuel Carraso, a member of the Salonika Lodge, listens intently to a group of influential figures.

Carraso:
“This man, Zvi, is stirring the hearts of the people. But his delusions of grandeur could destabilize the region. We must observe him closely.”

Young Turk Leader 1:
“And what of our own plans? The Ottoman Empire is weak. The time to act is near.”

Carraso:
“Patience. The Messiahโ€™s rise may serve as a useful distraction.”


Act 2: The Young Turks and the Armenian Question

Scene: The Salonika Lodge
1908. The camera reveals a secret meeting of the Young Turks, including figures like Talaat Pasha, Enver Pasha, and Djemal Pasha. Carraso, now an elder statesman, addresses the group.

Carraso:
“Gentlemen, the empire is crumbling. The Armenians, with their aspirations for independence, are a threat to our unity. If we are to build a modern Turkey, sacrifices must be made.”

Talaat Pasha:
“Sacrifices? You mean eradication.”

Carraso (hesitant):
“Call it what you will. The end justifies the means.”

Enver Pasha:
“And the Jews of Salonica? Will they support us?”

Carraso:
“They will, so long as their businesses and lives remain untouched. Focus on the Armenians.”


Act 3: The Messiah and the Massacre

Scene: A Parallel Timeline
The story intercuts between Sabbatai Zviโ€™s rise in the 17th century and the horrors of the Armenian Genocide in the early 20th century. Zviโ€™s followers celebrate his declaration as the Messiah, while Armenians flee their homes, chased by Ottoman soldiers.

Narration (Voiceover):
“The Young Turks, inspired by their vision of a modern, secular Turkey, unleashed a campaign of terror. Meanwhile, the false Messiahโ€™s promises unraveled, as Zvi was forced to convert to Islam under threat of death.”

Cut to: Emmanuel Carraso, in his final days, reflecting on his role in history.

Carraso (to himself):
“I thought I could control the tides of history. But we were all swept awayโ€”by ambition, by fear, by the blood we spilled.”


Act 4: A Reckoning

Scene: A Modern-Day Reflection
The camera shifts to present-day Salonica, where a historian uncovers Carrasoโ€™s hidden diaries. The pages reveal his secrets: his involvement in the Young Turks, his complicity in the Armenian Genocide, and his observations of Sabbatai Zvi.

Historian (reading aloud):
“The Messiah was a man, flawed and fallible, just like the rest of us. And we, the so-called architects of a new world, were no better.”

Closing Scene:
The camera pans over the ruins of an Armenian church, the bustling streets of modern Istanbul, and the remnants of Zviโ€™s synagogue in Salonica. A voiceover concludes:

Narration (Voiceover):
“History is written by the victors, but the truth lingers in the shadows, waiting to be uncovered.”

Fade to Black.
Title Card: “Dedicated to the victims of false prophets and human ambition.”

The End.

Joe Jukic: The Movie

Title: Joe Jukic: Truth Seeker

Genre: Comedy / Drama / Thriller
Tagline: “Some call him paranoid. He calls it prepared.”


Opening Scene

(A Small Apartment – Late Night)
Stacks of newspapers, blinking monitors, and walls covered in string-connected clippings fill the dimly lit room. Joe Jukic, a disheveled man in his 40s with wild hair and a suspicious glint in his eye, speaks directly into a webcam.

JOE:
โ€œThey say Iโ€™m crazy. But when the blackout hits, when the lizard people take over the Wi-Fi, whoโ€™ll be crazy then? Youโ€™re watching Joe Jukic, your beacon of truth in a world of lies.โ€

He clicks โ€œuploadโ€ on his latest video, titled: “Why Birds Are Really Government Drones.โ€ The screen fades to black as the videoโ€™s notification chime echoes.


Act 1: Introducing Joe

Joe lives alone in a rundown apartment, surviving off ad revenue from his small but passionate following of conspiracy theory enthusiasts. His theories are outrageous but delivered with unwavering conviction.

Joeโ€™s day job as a parking lot attendant barely pays the bills, and his boss, Mr. Carmichael, frequently scolds him for neglecting his duties to scribble notes in his conspiracy journal.

MR. CARMICHAEL: โ€œJukic, if you spent half as much time watching cars as you do chasing aliens, youโ€™d be employee of the year.โ€
JOE: โ€œEmployee of the year is a corporate scam, Carmichael. Wake up.โ€


Act 2: The Discovery

Joe stumbles onto something unusual while scrolling through classified satellite images leaked online: a suspicious pattern of identical buildings appearing in small towns across the country.

JOE (to his cat, Chairman Meow): โ€œLook at this. They’re hiding something big, Chairman. Bigger than the moon landing hoax!โ€

He begins piecing together clues and uncovers what he believes is a covert government operation called Project Eden, aimed at controlling the population through mind-altering substances hidden in municipal water supplies.


Act 3: Assembling the Team

Joe tries to alert the authorities but is dismissed as a crackpot. Determined to expose the truth, he recruits an unlikely team:

  • Jenny, a tech-savvy barista with a flair for hacking.
  • Rick, a doomsday prepper and Joeโ€™s estranged childhood friend.
  • Debbie, an idealistic college journalist looking for her big break.

JENNY: โ€œSo, let me get this straight. You want me to hack into government servers… because of a water tower?โ€
JOE: โ€œNot just a water tower. The water tower. The key to it all.โ€

The group reluctantly agrees, intrigued by Joeโ€™s passion and infectious paranoia.


Act 4: The Mission

The team infiltrates one of the suspicious sites in a small, desolate town. Their discovery shocks even Joe: the buildings house massive data centers monitoring civilian behavior.

While gathering evidence, they trigger an alarm, and armed guards swarm the area. A chaotic chase ensues, with Joe hilariously outmaneuvering the guards using his conspiracy-fueled survival skills.

JOE (as he throws a jar of homemade stink bombs): โ€œChemtrails arenโ€™t just in the sky, my friends!โ€

They escape with critical evidence: a USB drive containing incriminating files about Project Eden.


Act 5: The Truth Comes Out

The group uploads the evidence online, but Joeโ€™s channel is immediately shut down. Mainstream media dismisses the leak as a hoax.

Desperate, Joe and his team storm a live news broadcast to present their findings. Amid the chaos, Joe delivers an impassioned plea:

JOE:
โ€œWe live in a world where the truth is buried under a mountain of lies. If Iโ€™m wrong, what do you lose by questioning the narrative? But if Iโ€™m right… what do you gain?โ€

The broadcast goes viral, sparking a wave of public curiosity and protests. However, the government denies everything, and Joe becomes a fugitive, celebrated by his followers as a hero but hunted by authorities.


Epilogue

(Remote Cabin – Months Later)
Joe is living off the grid, recording a new video.

JOE:
โ€œThey didnโ€™t silence me, folks. Iโ€™m still here. And the truth? Itโ€™s bigger than any of us.โ€

As he uploads the video, a knock at the door startles him. Itโ€™s Jenny, Rick, and Debbie.

JENNY: โ€œJoe, we found something else. Youโ€™re gonna want to see this.โ€

The camera pans to a mysterious file labeled โ€œEden Phase II.โ€ Joe grins.

JOE: โ€œLetโ€™s get to work.โ€

The screen fades to black as ominous music plays, hinting at more conspiracies to uncover.


Closing Credits

The credits roll over a montage of Joeโ€™s old videos, fan memes, and headlines debating his claims, set to an ironic upbeat punk song.

General Joe

Title: Joe: The PsyOps General

Genre: Psychological Thriller / War Drama
Tagline: “Wars are won in the mind before they are fought on the battlefield.”


Opening Scene

(Croatia – Early 1990s)
The camera pans over a war-torn village, smoke rising from crumbling buildings. A battered radio broadcasts conflicting reports about the ongoing conflict. Soldiers sift through debris while civilians huddle in fear.

In a hidden bunker, General Joe Novak, a brilliant but enigmatic military officer, sits at a desk littered with maps, intercepted communications, and psychological profiles of enemy commanders.

JOE (to his aide): โ€œBullets win battles. Minds win wars. Letโ€™s give them something to think about.โ€

Joe orders a team to plant misleading signs and fake mines on an enemy supply route. As the enemy hesitates and reroutes, a Croatian ambush awaits. The plan works flawlessly, with minimal casualties.


Act 1: Origins of a Mastermind

(Flashback – 1970s, Yugoslavia)
Young Joe grows up in a small Croatian village, excelling in chess and problem-solving. His father, a historian, teaches him about the psychology of war, recounting tales of deception in battles throughout history.

JOEโ€™S FATHER: โ€œA clever man turns his enemyโ€™s strength into a weakness. Remember that.โ€

Joe joins the military academy, where his unconventional methods and psychological strategies often clash with traditional commanders.

COMMANDER: โ€œThis isnโ€™t a chessboard, Novak. Real soldiers fight.โ€
YOUNG JOE: โ€œAnd real generals think.โ€


Act 2: The War Begins

As the Croatian War of Independence erupts, Joe rises through the ranks, gaining a reputation for his unorthodox tactics. He employs:

  • Propaganda campaigns to demoralize the enemy.
  • Decoy operations, like inflatable tanks and fake radio transmissions.
  • Psychological manipulation, such as broadcasting unsettling sounds and misinformation to unnerve enemy troops.

Joeโ€™s successes earn him admiration among his troops but also suspicion from allies who question his morality.

COLLEAGUE: โ€œYouโ€™re playing with fire, Joe. These arenโ€™t just gamesโ€”theyโ€™re lives.โ€
JOE: โ€œEvery move I make saves more lives than it takes.โ€


Act 3: The Tipping Point

Joe faces his greatest challenge when a rogue Serbian commander, General Dragovic, begins employing equally ruthless psyops against Croatia. Dragovicโ€™s tactics include staged civilian massacres to provoke international outrage against Croatia.

Joe must outwit Dragovic without crossing ethical boundaries. The conflict becomes a personal duel of wits, with both generals trying to outmaneuver each other.

Joe launches an operation to intercept Dragovicโ€™s plans, planting false intelligence suggesting a Croatian retreat. Dragovic takes the bait, overextending his forces into a trap.


Act 4: The Mental Battlefield

The final showdown takes place in the ruins of a city both sides consider strategically vital. Joe orchestrates an elaborate psychological operation:

  • Broadcasts of fake troop movements.
  • Messages delivered to Dragovicโ€™s troops, urging surrender.
  • Coordinated civilian resistance to disrupt enemy morale.

In a tense, face-to-face confrontation, Joe and Dragovic exchange verbal blows.

DRAGOVIC: โ€œYou think youโ€™ve outsmarted me, Novak. But youโ€™ve only proven that war makes monsters of us all.โ€
JOE: โ€œMonsters donโ€™t end wars. Strategists do.โ€

Joeโ€™s plan succeeds, forcing Dragovic to retreat. However, the psychological toll on Joe becomes evident. He begins questioning the cost of his methods and the line between genius and madness.


Epilogue

(Years Later – Post-War Croatia)
Joe, now retired, lives a secluded life in a quiet village. A journalist visits, seeking to document his life and legacy.

JOURNALIST: โ€œDo you regret anything?โ€
JOE: โ€œRegret? No. Reflection? Every day. War doesnโ€™t end when the fighting stops. The battlefield just movesโ€ฆ here.โ€ (He points to his head.)

The final shot shows Joe placing a chessboard on his table, staring at it in silence as the pieces gleam under the fading sunlight.

Text on Screen:
“Joe Novakโ€™s tactics were studied by military academies worldwide. His methods remain controversial, a testament to the blurred lines of morality in warfare.”


Closing Credits

The credits roll over archival footage of the Croatian War, interspersed with images of soldiers and civilians rebuilding their lives. A haunting score underscores the lasting impact of war on both the victors and the defeated.