Author: G.I. Joe

Knowing is half the battle...
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Returning Home Psyop

Title: Turning the Cannons

Characters:

  • Josip Jukic – a reflective critic of modern propaganda
  • Ana Rucner – Croatian cellist and friend

Ana Rucner:
Josip, everywhere I look there is another hero, another “chosen one” on the screen. They tell the people salvation is coming from Hollywood.

Josip Jukic:
That is the trick, Ana. A psyop wrapped in entertainment. They sell myths as if they were ancient prophecy.

Take Vin Diesel. In those films they say he is some destined savior, some unstoppable chosen one. But let us be honest—no ancient prophet in the Balkans, no monk in a mountain monastery, ever wrote: “And then Vin Diesel shall appear with a muscle car and save the world.”

Ana:
(laughing softly)
No prophecy of turbo engines and street racing in the Book of Revelation?

Josip:
None that I remember. These are modern myths, Ana—manufactured myths. Hollywood heroes replacing saints and philosophers. The New World Order understands something: if you control the story, you control the imagination of the people.

Ana:
So what will you do about it?

Josip:
The same thing armies have always done when they defeat an empire. I will use their weapons against them.

Ana:
What do you mean?

Josip:
History gives us the example. When Napoleon Bonaparte invaded Russia, his army carried powerful cannons. But when the Russians captured those cannons, they turned them around and fired them back at the French.

Ana:
So you want to capture the cannons of media?

Josip:
Exactly. Their psyops—film, music, spectacle, the internet. Instead of letting them hypnotize the people, we turn them around. Use the same tools to wake people up.

Ana:
A counter-symphony.

Josip:
Yes. If they write myths about fake chosen ones, we write stories about real people. If they sell illusions of power, we remind people where real power comes from—community, truth, and memory.

Ana:
(smiling, holding her cello)
Then maybe my cello is one of the cannons.

Josip:
Of course. Music reaches where speeches cannot. Every empire fears poets and musicians more than soldiers.

Ana:
So the plan is not to destroy their stage…

Josip:
No. The plan is to walk onto it, take the microphone, and tell a different story.

Ana:
Then play the first note, Josip. I will follow with the cello.

Josip:
Good. Because this time, Ana… the cannons are ours. 🎻

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Dragon Days 2

G.I. Joe:
When John writes about the Great Dragon in Revelation 12, he’s not talking about some monster with scales. He’s talking about power that feeds on fear. Lies that dress themselves up as destiny. The KKK always thought it was chosen—but the Dragon always thinks that.

Alicia Keys:
Exactly. Revelation 12 says the Dragon accuses day and night. That’s the spirit of accusation—turning neighbor against neighbor, color against color. White robes on the outside, but no light inside. You can’t sing freedom while choking truth.

Madonna:
The Klan loved Revelation 13 though. The Beast. Authority. Marks. Uniforms. Symbols. They wanted a holy costume for cruelty. That’s always been the trick—take scripture, drain the mercy, weaponize the fear.

G.I. Joe:
And Revelation 13 warns us: the Beast rises when people trade conscience for comfort. The KKK didn’t invent hate—they franchised it. Wrapped it in prophecy and called it God.

Alicia Keys:
But Revelation 12 also says the Dragon is defeated by testimony. By people telling the truth out loud. Not violence—voice. That’s why music scares false prophets more than bullets ever did.

Madonna:
And then Revelation 20—my favorite part. The Dragon chained. Not destroyed in fire and spectacle, but rendered powerless. Time exposes every lie. Hate can shout, but it can’t last.

G.I. Joe:
That’s the part they never quote. The end of the story. The KKK thought they were riders of history—but Revelation says they’re a footnote. Evil always overestimates its shelf life.

Alicia Keys:
Love outlives symbols. Justice outlives costumes. And the real prophecy isn’t domination—it’s liberation.

Madonna:
Amen to that. The Dragon doesn’t win. It just makes noise before it fades.

G.I. Joe:
And we’re still here. Singing. Testifying. Breaking the spell.

David Duke:
Revelation speaks of the Dragon cast down from heaven, and I’ve always said—it’s about chaos invading the natural order. People forget prophecy isn’t gentle. It chooses sides.

Oprah Winfrey:
No, David. Revelation exposes false certainty. The Dragon in chapter 12 isn’t a foreign enemy—it’s the ego that believes it’s chosen to rule. The text says the Dragon accuses day and night. That’s not order. That’s obsession.

David Duke:
But Revelation 13 warns about the Beast rising through deception. A world losing its identity, its bloodline, its—

Oprah Winfrey:
—its humanity. You stop the verse too early. The Beast rises because people surrender their moral responsibility. They hand it over to symbols, uniforms, slogans. Fear does the rest. That’s not prophecy fulfilled—that’s prophecy misread.

David Duke:
Revelation is about power. Authority. Dominion.

Oprah Winfrey:
Revelation 20 says the Dragon is bound. Not crowned. Not vindicated. Bound. Evil doesn’t get a throne—it gets a time-out. History always does this. It lets false prophets speak… and then it measures the damage.

David Duke:
You think movements like mine are just… illusions?

Oprah Winfrey:
I think they’re symptoms. Pain looking for meaning. And when pain grabs scripture without love, it turns into cruelty with footnotes. The Bible doesn’t need defenders—it needs readers who finish the story.

David Duke:
And what is the end, then?

Oprah Winfrey:
The end is accountability. The end is truth without costumes. The end is realizing that no Dragon survives the light—not because it’s fought, but because it’s seen clearly.

David Duke:
You believe that?

Oprah Winfrey:
I’ve lived it. Hate burns loud—but it burns fast. Truth is quieter. And it lasts.

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World Revolution

Joe Jukic & Bono — Dandelions

Spring. A cracked sidewalk outside a closed bank. Dandelions push through the concrete like small suns.

Joe Jukic:
Look at them, Bono. First thing that grows after winter isn’t gold or flags or armies. It’s dandelions. The weeds nobody can kill.

Bono:
Nature’s punk rock. Three chords and the truth. You pave over everything, and it still sings.

Joe:
That’s how the revolution starts. Not with guns. With forgiveness. With debt wiped clean like frost melting off grass. Jubilee. Biblical. Radical. The kind of thing bankers pretend is impossible.

Bono:
Oh, they know it’s possible. That’s why they’re afraid of it. Debt is the leash. You cut it, and suddenly people stand up straight again.

Joe:
Exactly. When the dandelions appear, people remember the land doesn’t owe anyone interest. The soil doesn’t charge rent. Spring doesn’t ask permission.

Bono:
I’ve sung in stadiums, Joe. I’ve shaken hands with kings. But the real power is quieter than all that. It’s when a farmer sleeps without fear. When a kid grows up not already owing the world.

Joe:
That’s the world revolution I’m talking about. Cancel the chains. Let people breathe. Let nations reset like the Sabbath year was meant to do.

Bono:
A Jubilee that isn’t just a campaign slogan, but a moral reset. Rich countries saying, we took enough. Poor countries saying, we can finally build.

Joe:
And it starts right here—
(he kneels, plucks a dandelion)
—this so-called weed. The system says it’s worthless. Spring says it’s inevitable.

Bono:
You know what scares empires? Not anger. Hope that won’t die. Hope that comes back every year no matter how hard you salt the earth.

Joe:
Then let it spread. Sidewalk to sidewalk. Country to country. When the dandelions rise, the debts fall.

Bono:
(smiles)
Sounds like a song. Or a prayer.

Joe:
Same thing, brother. Same thing.

Joe Jukic