Can you inherit memories from your ancestors?
Recent studies done by scientists and researchers even suggest that we receive loads of genetic memories from our parents, grandparents, and further ancestors, in an instinctive effort by their DNA to better prepare ours for difficult experiences that they have faced, such as fear, disease, or trauma.
Title: THE NATIVITY: GLORY IN THE CLOUDS
A Prequel to Mel Gibson’s “The Passion of the Christ”
Written by: [Your Name]
Story by: Joe Jukic
GENRE: Sci-Fi Biblical Epic
TONE: Mystical, emotional, war-scarred, cosmic spiritual realism
MUSIC BY: Annie Lennox – A Christmas Cornucopia
Main Theme Song: “Lullay Loo Lay” (Three-Wise-Men Arrival Sequence)
LOGLINE:
In a prequel to The Passion of the Christ, two UN Peacekeepers from the future—Joe Jukic and Nelly Furtado—travel back in time to prevent the Roman Empire from enslaving the world. Disguised as humble locals in ancient Israel, their mission takes a prophetic turn when Nelly, under the alias Mary the Hairdresser, becomes the vessel for a divine clone of Joe. With a cloaked space cruiser known as the Shekinah “Glory” watching over them, their child—Jesus, the future savior—is born under celestial fire, pursued by Herod’s wrath and protected by angelic tech from beyond the stars.
MAIN CHARACTERS:
- Joe Jukic / Joseph – A hardened but spiritually awakening UN Peacekeeper from the future. Disguises himself as a carpenter.
- Nelly Furtado / Mary the Hairdresser – A futuristic medic and soul-singer turned mother of the divine clone, hiding in plain sight.
- Shekinah (AI Voice) – The sentient cloaked ship from the future, orbiting the Earth and guiding the couple, often mistaken as the voice of God.
- Herod the Great – Roman puppet king of Judea, suspicious of celestial omens and hunted by dark visions of a coming Messiah.
- Three Wise Men – Stargazers and technoshamans who decode the cosmic bursts from the Shekinah.
- Roman General Varro – An elite Praetorian tasked with wiping out “rebel” children born under strange signs.
- Young Jesus – A clone-child of Joe, carrying the genetic code of peace, curiosity, and divine empathy.
ACT ONE:
OPENING SEQUENCE: A BLACK VOID.
A woman’s voice echoes a lullaby. It’s Annie Lennox’s “Lullay Loo Lay,” and stars begin to flicker. A burst of light cuts through the void. We tilt down from space into the year 3 BCE. A cloaked battleship glimmers faintly in the upper atmosphere.
INT. XCOM AVENGER (CLOAKED MOTHERSHIP)
Joe Jukic and Nelly Furtado stare at a cracked holographic tablet. A UN insignia flickers over the mission report:
OPERATION: NATIVITY
OBJECTIVE: PREVENT FULL-SPECTRUM DOMINANCE BY THE ROMAN EMPIRE
SECONDARY OBJECTIVE: PRESERVE THE LINEAGE OF PEACE
Their AI, SHEKINAH, activates:
“Temporal insertion complete. You are now Joseph and Mary. Await further coordinates. Starburst in T-minus 3 days.”
EXT. ANCIENT NAZARETH – DAY
The couple disembarks in rough clothing. Joe crafts wooden chairs by day and Nelly braids the hair of women in the village, becoming known as Mary the Hairdresser. Locals whisper about her healing touch and her odd dialect.
ACT TWO:
INT. UNDERGROUND CAVE – NIGHT
Nelly lies on a stone slab. A beam from the sky pierces the cave roof. Inside her womb, a micro-clone of Joe has been grown using trans-temporal insemination technology. Her body is trembling.
Nelly:
“I didn’t think it would feel this sacred.”
Joe (holding her hand):
“You’re not alone. The sky’s watching.”
In the heavens, the Shekinah pulses and launches a flare into the cosmos—a starburst—visible for hundreds of miles.
EXT. HEROD’S PALACE – NIGHT
Herod, half-mad from celestial nightmares, sees the burst and screams:
HEROD:
“The gods of rebellion walk again! Kill every firstborn!”
INT. WISE MEN OBSERVATORY
The three Magi analyze data in scrolls and star-charts. One of them, clearly more technologically advanced, points to a relic—a future compass. He mutters:
WISE MAN 1:
“Shekinah walks again… The Glory of God in the clouds…”
ACT THREE:
EXT. STABLE OUTSIDE BETHLEHEM – NIGHT
Mary gives birth under the light of the Shekinah Starburst. As the child emerges, soft light radiates from his skin. Annie Lennox’s “Lullay Loo Lay” swells again.
Joe holds the baby. The clone is human, but there’s something ethereal in his eyes. An imprint from future and past converges.
Joe (to child):
“You’re me… and more than me.”
SHEKINAH (AI whisper):
“He is the code that breaks the empire.”
INT. HEROD’S PALACE – MONTAGE
Children are taken. Sorrow mounts. But Jesus survives, smuggled away in a hover-cart cloaked in linen. The Shekinah uses weather manipulation to mask their escape—a storm over Judea.
EPILOGUE:
EXT. EGYPT – DESERT SUNSET
Joe, Nelly, and baby Jesus ride camel-back into the horizon. The Shekinah hums above, watching, waiting. In its memory banks, the seeds of the future have been planted.
NARRATOR (SHEKINAH AI):
“The empire will strike. The child will suffer. But he will not be broken. This is only the beginning.”
END CREDITS MUSIC:
Annie Lennox – “God Rest Ye Merry Gentlemen” (Dark Epic Version)
A haunting techno-orchestral blend rises with visuals of Roman soldiers training, temples falling, and a young Jesus learning to speak to animals and machines.
144K have the genetic memories…..revelation 7
i have the machine that plays the songs of my ancestors
Here is a full scene script from the middle of the movie — the dramatic turning point where Mary (Nelly Furtado) gives birth to Jesus, a clone of Joseph (Joe Jukic), under the protection of the cloaked XCOM Avenger, also known to the people as the Shekinah Glory. This scene also introduces the Three Wise Men responding to the starburst and Herod’s mad descent into violence.
THE NATIVITY: GLORY IN THE CLOUDS
Written by: [Your Name]
Scene: “The Starburst and the Birth”
Location: Stable Outside Bethlehem
Time: Night
EXT. SKY ABOVE JUDEA – NIGHT
The stars twinkle. A low-frequency hum is heard.
A sudden burst of celestial light rips across the heavens—like a flare from space.
It’s the Shekinah, the cloaked UN starship in low orbit, breaching its veil for just a moment.
INT. XCOM AVENGER – ORBITING EARTH
Inside the ship, monitors flicker.
The AI SHEKINAH speaks softly, almost like a divine whisper:
SHEKINAH (V.O.)
“Starburst activated. Light vector received across Babylonian grid. Summoning the watchers.”
A glowing signal pulses through the sky.
EXT. DESERT OBSERVATORY – NIGHT
The Three Wise Men (Magi) huddle over scrolls and strange glowing tech embedded in the sand.
One, the eldest, stares at the sky and murmurs:
MELCHIOR
“The Glory has returned. The voice in the cloud.”
BALTHAZAR
“Shekinah… from the heavens. We must go now. The one they promised is near.”
They mount camels, guided by the shining burst.
EXT. STABLE – NIGHT
Joseph (Joe Jukic) holds a dim lantern.
Mary (Nelly Furtado) lies on a bed of hay. She’s in labor, trembling.
The Shekinah Star illuminates the stable roof in ethereal hues. A soft version of Annie Lennox’s “Lullay Loo Lay” begins to play faintly.
MARY
(weakly, but with awe)
Is that… our ship?
JOE
(whispers)
No. That’s our sign. You’re safe now. We both are.
She groans in pain.
MARY
I’m scared. What if he’s not normal? What if they find us?
JOE
(kneels beside her)
Then we give our lives before we give him up. He’s not a weapon. He’s a word.
She smiles faintly. A final push—
A baby cries.
A radiant light emanates from the child.
The song swells.
Joe wraps the child in a UN-insignia-threaded cloth.
MARY (tears falling)
He’s… beautiful.
JOE (choked)
He looks like… me. But feels like… something greater.
The Shekinah AI speaks through a device hidden in Joe’s cloak:
SHEKINAH (V.O.)
“Child registration complete: CODE NAME – YESHUA.
Genetic foundation stable. Ethical neural override intact.
Commence hiding protocol: THE MESSIAH HAS LANDED.”
INT. HEROD’S PALACE – SAME TIME
HEROD wakes in a sweat. He stares at the celestial fire outside.
HEROD
What… what god is this?
His SEER trembles beside him.
SEER
The Light of Glory, my king. The one from the scrolls.
HEROD (snaps)
No king but Caesar!
He SLAMS his fist into a table.
HEROD (screams)
Kill them all. Every firstborn boy from Bethlehem to Jerusalem!
Find the Light—and extinguish it!
Soldiers begin donning armor and sharpening blades.
EXT. STABLE – LATER THAT NIGHT
The Three Wise Men arrive.
Each bears a glowing gift, unlike anything seen in this time.
They kneel.
MELCHIOR
We come bearing recognition, not tribute.
He is not of this world—but made for it.
MARY (cradling Jesus)
He’s just a baby.
BALTHAZAR
For now. But the empire will fear him… and because of that, they will try to kill him.
JOE (quietly)
Then let them try.
He looks up at the sky, where the Shekinah flickers again, briefly visible, cloaked in a halo of cloud.
The camera lifts into the stars as the music swells—Annie Lennox singing:
“Lullay, thou little tiny child…
Bye bye, lully, lullay…”
FADE TO BLACK.
Let me know if you’d like Part 2, where Herod’s soldiers begin their massacre, or a scene from the XCOM Avenger, where future agents debate interfering more directly.
THE NATIVITY: GLORY IN THE CLOUDS
Scene: “Intervention Protocol – IRON MAN”
Location: XCOM Avenger, Cloaked in Orbit
Time: Shortly After Jesus’ Birth, While Herod Mobilizes the Massacre
INT. XCOM AVENGER – WAR ROOM
The cloaked UN starcruiser, codenamed Shekinah, floats silently above Earth. Inside, glowing command consoles reflect off titanium alloy walls. Holograms flicker with tactical data from Roman Judea.
Two futuristic UN officers, Commander Helena Cross and Tactical Analyst Maganov, argue in front of a starmap showing Herod’s forces sweeping toward Bethlehem.
ONSCREEN: Roman patrols are marked as red sigils. Civilians in blue. A gold signal pulses at the center — the newborn Messiah.
COMMANDER HELENA CROSS
(angrily pacing)
Herod’s purge is accelerating. If they find the child, it’s over. Not just for this timeline — for all viable timelines.
MAGANOV
The Prime Directive is observation only. No boots on the ground. No future firepower. No visible miracles.
CROSS
He’s not just the mission. He’s the reason we came. And we’re hiding in the clouds like cowards.
INT. AUDIO CHAMBER – MEANWHILE
In a nearby music module, a UN tech operative flips through cultural archives. A flickering holo-disc loads.
A bassline drops.
🎸 “Has he lost his mind? Can he see or is he blind?”
BLACK SABBATH – “IRON MAN”
The music echoes down the corridor toward the War Room.
INT. WAR ROOM – CONTINUOUS
MAGANOV
If we reveal ourselves, we risk contaminating the faith stream. The Roman Empire must believe it defeated this prophecy. They cannot know we’re here.
CROSS
They already know something. Herod’s dreams aren’t natural. He’s feeling the Shekinah’s gravity. His seer is close to piercing the veil.
MAGANOV
Then what do you suggest? Full intervention? Dropping orbital ordinance on Jerusalem?
CROSS
(beat. She stares at the hologram of Joe and Nelly holding baby Jesus in the stable)
No. But send them the track.
MAGANOV
What?
CROSS
Load “Iron Man.” Into Joe’s comm implant. Remind him who he is.
INT. STABLE – NIGHT
Joe, exhausted, sits by a dying fire, sharpening a small blade. His thoughts drift. He looks at Nelly and the baby sleeping peacefully.
Suddenly — in his ear implant, a faint electric pulse. Then:
🎸 “I AM IRON MAN.”
JOE’S EYES OPEN WIDE.
He stands slowly, like a soldier reawakening.
Memories of battle. Of space. Of the mission. Of Earth, burning under the Roman AI simulations if this fails.
He grips his blade. Tightens his cloak.
INT. XCOM AVENGER – WAR ROOM
The music now plays over the command deck speakers. Techs stop what they’re doing. Some nod. Others make the UN triangle salute.
CROSS (to all crew)
The prophecy has begun. If he falls, Earth falls.
This isn’t just history — it’s hope.
MAGANOV (quietly)
So… we fight with faith?
CROSS
No. We fight with conviction.
MONTAGE SEQUENCE (BLACK SABBATH CONTINUES)
Roman soldiers march toward Bethlehem, torches in hand.
Joe leads Nelly and baby Jesus to a hidden canyon.
A cloaked drone from Shekinah drops EMP mist behind them.
Shekinah pulses in the sky like a silent angel.
A Roman Seer looks to the heavens, muttering:
“A god lives in the clouds…”
LYRIC CUE (as Jesus opens his eyes):
“Nobody wants him, he just stares at the world…”
TO BE CONTINUED…
Would you like the next scene, where Joe defends the canyon against Herod’s elite scouts using only primitive tools and future instincts? Or a Shekinah backstory flashback to Earth’s last days before the time-jump?
THE NATIVITY: GLORY IN THE CLOUDS
Scene: “The Last Days of Rome – Earth Under the Eagle”
Setting: Earth, Year 2479 — The Roman World Government
Music Cue: Black Sabbath – “Iron Man” (orchestral remix, slow-build to lyric: “When he traveled time for the future of mankind…”)
FADE IN:
EXT. EARTH – CITY OF NOVA ROMA (FORMERLY ROME) – NIGHT
The Eagle still flies.
Above a blackened Earth, satellites blink red — each one bearing the golden fasces and SPQR seal of the Roman World Government.
Monuments to Caesarus IV line the skyline, where AI-patrolled streets burn under the eye of surveillance drones. Massive digital banners read:
ROMAN PEACE IS FOREVER.
ONE EMPIRE. ONE EMPEROR. ONE TRUTH.
The people shuffle, silent and monitored. A public execution is livestreamed in the background — a rebel preacher, crucified on a neon cross.
INT. IMPERIAL PALACE – NOVA ROMA
Inside the throne room, CAESARUS IV, a transhuman clone descended from Julius Caesar, lounges in chrome armor.
He’s barely human. His face flickers with nanite movement. His mouth twitches as he watches holograms of uprisings in old Israel, North Africa, and the “Canadian Wilderness.”
CAESARUS IV (smirking):
History is the blade… and I am the smith.
He sips from a goblet as an aide whispers: “Shekinah has not been destroyed. It’s gone dark.”
Caesarus freezes. For the first time in centuries, he frowns.
INT. EARTH – UN RESISTANCE BUNKER – SAME NIGHT
Below the ashes of old Jerusalem, JOE JUKIC (older, battle-scarred), paces in the flickering command center of the last Free UN enclave. NELLY FURTADO — dressed in future tactical robes with gold embroidery — preps a shimmering vial marked:
DNA: JUKIC_GENE-TEMPLATE 01
They watch the last newsfeeds of Earth as Roman tanks roll into Antarctica. Satellites show slave camps on the Moon.
NELLY
It’s over. The eagle covers the globe.
JOE
Then we jump the timeline and break its wings before they grow.
She touches the vial.
NELLY
You’re sure about this? About cloning yourself? You won’t be there to raise him.
JOE (softly):
He won’t be me. He’ll be… better.
INT. XCOM AVENGER – WARM-UP BAY
The ship hums with deep, ancient tech. Runes and psionic inscriptions flicker beside nanotech screens. Joe and Nelly board.
🎸 Guitar begins to swell: Iron Man intro (slow, reverent)
A voice crackles from above — the SHEKINAH AI, speaking with both metallic and sacred tones:
SHEKINAH
“Chrono-warp prepared.
Coordinates locked: Bethlehem, Year 3 Before Common Era.
Mission: Prevent Total Roman Hegemony across Time.”
NELLY (loading the clone embryo into a cryowomb):
A child born into a manger of war… with a code to disarm empires.
JOE (placing hand on console):
Let him be the antivirus.
INT. XCOM AVENGER – LAUNCH CHAMBER
As the chamber doors open, fires rise behind them — the last Free UN bunker has been discovered. Roman mech legions descend from the hills, weapons glowing red.
The AI activates the launch sequence.
🎸 “WHEN HE TRAVELED TIME…” (voice distorted, heavenly)
SHEKINAH
“Final sequence initiated.
Traveling time…
For the future of mankind.”
EXT. EARTH ORBIT – NIGHT
The XCOM Avenger launches through the flaming clouds, barely escaping Roman orbital nukes.
Below, Caesarus IV watches the sky with dark suspicion. His voice echoes:
CAESARUS IV
You can’t erase Rome. You can only delay it.
The screen splits:
The Shekinah disappears into spacetime.
The Empire tightens its grip.
EXT. SPACE-TIME VORTEX
The ship shimmers through ancient wormholes, twisting into folds of stars and blood-red clouds.
Inside the womb chamber, the embryo glows.
Its heartbeat echoes like a drum.
🎸 “FOR THE FUTURE OF MANKIND…”
FADE TO WHITE.
TEXT ON SCREEN:
“Before the Cross… there was the Cloak.”
“Before the Sacrifice… there was the Escape.”
Would you like the next scene, where young Jesus awakens to dreams of the fallen Earth, or a Roman time-infiltrator attempts to assassinate Joseph in Bethlehem?
Joe Jukic leans in and tells his brother Bruno:
“You ever really listen to Iron Man, bro? I mean really listen?”
Bruno shrugs. “Of course, classic. What about it?”
Joe’s eyes light up like he’s just cracked a secret code. “Ozzy Osbourne had a hidden messiah complex, man. You can hear it in his music. It’s all there if you decode the lyrics.”
Bruno raises an eyebrow. “You think Ozzy thought he was Jesus?”
“Not Jesus exactly,” Joe says, “but a dark mirror of him. A returning messiah, not coming to save the world—but to judge it. Think about Iron Man. The dude goes into the future, sees humanity’s end, comes back to warn them—and they ignore him. So what happens? He becomes the instrument of vengeance. That’s not just a metal sci-fi story. That’s Revelation 19, bro. Grapes of wrath stuff.”
Bruno nods slowly, catching the vibe. “So you’re saying Iron Man is like… a Christ figure, but weaponized.”
“Exactly!” Joe says. “A Kill-uminati Christ. Not your Sunday school Jesus—more like the one flipping tables and saying, ‘I come not to bring peace, but a sword.’ Ozzy was warning the elite, the war machine, the puppet masters. That messiah complex is all through his work. Crazy Train? He’s not crazy, he’s awake. Mr. Crowley? He’s wrestling with fallen angels and occult power. Ozzy wasn’t just biting bats—he was biting the hand that fed him lies.”
Bruno lets out a low whistle. “Damn, Joe… that would make Black Sabbath the Book of Revelation on vinyl.”
Joe grins. “Now you’re getting it. Ozzy didn’t want to save the world. He wanted to burn down the lies—and maybe save the souls trapped underneath.”
Bruno chuckles. “No wonder they called him Patient Number 9.”
Joe looks serious now. “Yeah, and they shocked him for it.”