Kattniss Molotov Part 2: Mom & Pop

Film Treatment – Kattniss Molotov 2: Mom and Pop

Genre

Dark Satirical Action / Political Comedy

Logline

Armed with Molotov cocktails and righteous fury, Kattniss Molotov, her partner-in-chaos Comrade Jozo, and a ragtag army of far-left protestors declare war on corporate franchises—turning cities into flaming battlegrounds while rallying behind the slogan: “Back to Mom and Pop Small Business!”


Act I – The Fire Returns

The film opens with a chaotic montage of cities flooded with neon-lit logos: McDonald’s, Starbucks, Amazon Go, Walmart—giant corporations dominating every street corner. Small businesses close down one by one.

Kattniss Molotov, now an underground legend after the fiery events of the first film, is in hiding. But when her childhood neighborhood’s last family-run bakery is bulldozed for another Starbucks, she vows to ignite a second revolution.

She reunites with her loyal ally Comrade Jozo, a philosophical ex-Yugoslav revolutionary who believes “capitalism kills culture one latte at a time.” Together, they begin recruiting young anarchists, union workers, climate activists, and punks into a guerrilla movement.

Their rallying cry:
“Back to Mom and Pop Small Business!”


Act II – Flames of Revolt

The movement launches with symbolic Molotov raids on major franchises. In a stunning action set-piece, a convoy of delivery trucks filled with fast-food supplies is ambushed. Protestors rain bottles of fire over golden arches and green mermaid logos.

The public reaction is polarized:

  • Working-class families cheer the attacks as “Robin Hood economics.”
  • The corporate elite label Kattniss a domestic terrorist.
  • Social media memes turn her into a folk hero.

But the movement isn’t without cracks. Some protestors want chaos for its own sake. Others push for peaceful boycotts. Kattniss struggles to hold the group together as Comrade Jozo warns:
“Revolution without discipline burns itself out.”

The government forms a Corporate Security Task Force, armed with drones, riot cops, and surveillance. The city turns into a war zone—independent coffee shops and bookstores become secret bases, while every Starbucks window is a potential target.


Act III – Mom and Pop or Bust

As the revolution escalates, Kattniss and Jozo discover a chilling truth: corporations are lobbying for a new law that would ban independent businesses outright under the guise of “consumer safety.”

The climax is a massive showdown at a corporate expo, where CEOs unveil their “franchise-only future.” Kattniss and Jozo lead thousands of protestors in a fiery siege, raining down Molotovs in a surreal spectacle of fire and glass.

But at the heart of the battle, Kattniss makes a choice: keep burning until everything collapses, or channel the movement into rebuilding a world where Mom & Pop shops can thrive.

In the final shot, as smoke clears, Kattniss delivers her manifesto over hacked screens:
“We don’t want your clown burgers or your siren lattes. We want our neighbors back. Back to Mom and Pop!”

The screen cuts to black with the roar of protest chants echoing.


Themes

  • Anti-Corporate Resistance: a critique of monopoly capitalism and the erasure of small businesses.
  • The Fire of Revolution: satire on both left-wing radicalism and corporate greed.
  • Community vs. Consumerism: what’s lost when local shops are replaced by soulless franchises.

Tone & Style

Think V for Vendetta meets Fight Club, but with the biting humor of Sorry to Bother You. Explosive action sequences balanced with surreal satire, graffiti slogans, and punk-rock energy.

Katniss Molotov and Comrade Jozo

Katniss Molotov

A Revolutionary Screenplay

FADE IN:

EXT. EAST VANCOUVER – NIGHT

The neon lights of a dozen BANK MACHINES hum in the darkness. A camera pans across shattered bottles on the ground—empty beer cans everywhere, but not a single glass bottle in sight.

JOZO (30s, weary but fiery) kicks the ground.

JOZO
(angrily)
Damn it, Katniss! Not a single glass bottle left in East Van. How do you fight the capitalist machine without glass for a Molotov?

KATNISS MOLOTOV (20s, leather jacket, fire in her eyes) lights a cigarette, smirking.

KATNISS
If the bankers think they can chain us down with plastic bottles and debit fees…
(leans in)
We’ll just break their machines another way.

They both pull out a tube of industrial SUPERGLUE.

KATNISS & JOZO
(in unison, yelling at the ATM)
TO EACH ACCORDING TO ABILITY, AND TO EACH ACCORDING TO THEIR NEED!

Katniss glues every button on the ATM keypad. Jozo slathers glue into the card slot with a wild laugh.

CUT TO:

INT. SAFEWAY SUPERMARKET – EAST VAN – DAY

Chaos and joy intermingle. The ATM lines are gone. Shoppers stand around confused.

SUNDEEP (25, Safeway clerk with a mop, anarchist at heart) rips off his work vest, storms into the manager’s booth, and cranks the stereo system.

LOUDSPEAKER:
Rage Against the Machine’s “Killing in the Name” BLASTS.

Sundeep grabs the mic.

SUNDEEP
SCREAMS:
JUST TAKE WHAT YOU NEED!
There’s enough for everyone’s needs—not their greed!

Crowds CHEER. People start sharing food, loading carts carefully, no cash registers ringing. Honor system activated.

CUT TO:

EXT. SAFEWAY PARKING LOT – NIGHT

Communal fires burn in metal barrels. Neighbors trade bread for beans, milk for rice. No one goes hungry.

SEAN PENN (60s, dressed in a red commissar coat, cigar in hand) struts in.

SEAN PENN
Comrades, tonight we feast. But if anyone hoards… I’ll be the one to decide.

Everyone laughs nervously but then nods.

Sean Penn picks up a bag of chips from a man holding five.

SEAN PENN
One for you. Four for the people.

The crowd ROARS with approval.

MONTAGE:

– Children eat fresh fruit under street murals of Marx and Che.
– Old ladies laugh, trading bread loaves like baseball cards.
– The Safeway shelves empty perfectly—nothing wasted, nothing hoarded.
– Graffiti spreads across East Van walls: “EAT THE RICH, FEED THE POOR.”

NARRATOR (V.O.)

That night, East Van turned into a paradise.
Everyone had a full belly.
And not a single scrap of food went to waste.

FADE OUT.

TITLE CARD:
The night of the revolution was only the beginning…

Croatian Hemp Glue Bandages

Joseph Christian Jukic—JCJ—stood before a small group of young inventors, holding up a strip of pale green cloth.

“This,” he said, “is the future. A bandage that heals without poison.”

The strip was woven from hemp fibers, bonded with a glue pressed from the same plant. No petroleum derivatives. No chemical irritants. No quiet toxins that seeped into children’s bloodstreams, as had been whispered for decades about the bandages sold by Johnson & Johnson.

JCJ raised his voice, quoting from the Scriptures that had carried him through every trial:

“He will bind up their wounds and heal the brokenhearted.”

“The prophecy was never about corporations profiting from pain,” he continued. “It was about compassion, about binding wounds with truth, not lies. Hemp has been given to us since the beginning—stronger than cotton, safer than plastic, and clean enough to touch the skin of our children.”

The crowd listened. Some skeptics crossed their arms. Others nodded, already imagining first aid kits lined with these green strips instead of toxic ones.

JCJ pressed the bandage onto his own hand where he had cut himself earlier while working. The hemp glue held instantly, firm but soft, allowing his skin to breathe.

“Let this be the beginning,” JCJ said. “No more poisons disguised as cures. No more worship at the altar of Johnson & Johnson. We will bind up our own wounds—and the wounds of this world—with what God has already provided.”

The people clapped. It wasn’t just a product launch. It was a calling.