Janissary

Film Treatment: Janissary
Written by: Joseph C. Jukic
Starring: Mike Jukic, Joe Jukic, Bruno Jukic, Marko Boskovic
Genre: Historical Epic / War Drama
Running Time: Approx. 120 minutes
Title: Janissary

Logline:

In the final days of the Byzantine Empire, four brothers bound by blood and the oath of the Janissary corps rise through the Ottoman military ranks to lead the decisive siege of Constantinople. Torn between loyalty, destiny, and faith, they must overcome treachery, doubt, and their own haunted pasts to fulfill a prophecy centuries in the making.


ACT I: THE BLOOD OATH

1451 A.D. โ€“ Rumelia (European Ottoman Territory)

In a bleak Balkan winter, four boys are taken from their Christian village as part of the Ottoman Devshirme system. The villagers scream, the priest protests, but the boysโ€”Milos (Mike Jukic), Jusuf (Joe Jukic), Branislav (Bruno Jukic), and Markan (Marko Boskovic)โ€”are forced into the ranks of the Sultan’s elite: the Janissaries.

Under brutal training in Edirne, they are stripped of names, of pasts, of faithโ€”and reborn as warriors. Jusuf, the most spiritually conflicted, clings to Christian prayers in secret. Branislav embraces Ottoman culture, becoming a fanatical believer in Sultan Mehmed IIโ€™s divine right to rule. Markan excels tactically, and Milos proves himself in hand-to-hand combat.

A Sufi mystic named Sheikh Rumi prophesies that the city of Constantine shall fall not to brute force, but to four brothers of two worlds. Mehmed II hears of the prophecy.


ACT II: THE SIEGE BEGINS

1453 A.D. โ€“ Outside the Walls of Constantinople

The brothers, now fully grown and elite commanders, ride at the head of Mehmed IIโ€™s vast armyโ€”80,000 strongโ€”marching on the heart of Christendom: Constantinople.

Inside the city, Emperor Constantine XI prays as the Greek Orthodox Church fractures between desperation and pride. A Venetian mercenary offers help, but it is too little, too late.

The Janissaries begin building a massive cannonโ€”Basilicaโ€”capable of shattering the Theodosian Walls. Jusuf questions the siege, disturbed by dreams of the Virgin Mary and visions of his mother begging him to spare the city. Branislav mocks him: โ€œYou pray to a god that lost.โ€

A secret mission into the city leads to a rooftop meeting between Jusuf and a nun-turned-rebel courier, Sister Theodora, who pleads for peace. He falls in love with her courage.


ACT III: BROTHERHOOD AND BETRAYAL

As the siege intensifies, the cannon fires. The brothers lead charges against the gates, facing Greek fire, arrows, starvation, and doubt. Morale begins to crack.

Markan learns of a betrayal within the Janissary ranksโ€”some Balkan-born converts plan to turn on the Sultan and aid the Christians. The brothers are forced to hunt down their own kin. A brutal night of betrayal ends in bloodshed. Jusuf is tornโ€”he lets some defectors escape.

Branislav reports this to the Sultan, who orders Jusufโ€™s execution. Milos and Markan intervene. They confront Branislav and accuse him of losing his soul. A violent fight breaks out between the four brothers in the shadow of Hagia Sophia.

Branislav walks away, convinced he is the true “son of Islam.”


ACT IV: THE FINAL ASSAULT

May 29, 1453 โ€“ Dawn

Mehmed gives the final order: an all-out assault. The Janissaries march as drums thunder. The brothers fight side by side again, storming the breached walls. Branislav dies holding the Ottoman banner atop a tower, struck down by a Christian knight.

Jusuf finds Theodora dying in the rubble of a church. She begs him to save the children. He leads civilians to safety, even as his comrades pillage the city.

Milos faces a Greek champion in single combat within the Forum. It is a brutal, emotional climaxโ€”Milos kills him, but not without wounds.

As the red banner of the Ottomans rises over Constantinople, Mehmed enters Hagia Sophia and declares it a mosque. The prophecy is fulfilled.


EPILOGUE

Years later, Jusufโ€”now living in seclusion on Mount Athosโ€”writes in a journal. “I was a sword of the Sultan, but my soul belonged to two worlds.”

Milos becomes a general. Markan reforms the Janissary corps from within. The scars remainโ€”but so does the bond of brotherhood.


Themes:

  • Identity and faith: Caught between East and West, Christianity and Islam, duty and conscience.
  • Brotherhood vs ideology: Family ties versus loyalty to empire and belief.
  • The tragedy of conquest: Even righteous warriors leave ruin in their wake.
  • Prophecy and free will: Are we pawns of destiny, or do we choose who we become?

Style and Tone:

A gritty historical epic in the vein of Kingdom of Heaven, Braveheart, and The Last Duel. Visceral battle sequences blend with poetic dream visions and moral introspection. Music mixes Byzantine chants and Ottoman percussion. The camera lingers on weathered faces, smoke rising over domes, and the clash of civilizations.


Tagline: “Brothers by blood. Warriors by oath. Torn by conquest.”
Production Note: Potential for franchise or series: Janissary II โ€“ The Balkan Rebellions or The Fall of Vienna.

Cell Phones in the Congo

MOVIE TREATMENT
Title: Cell Phones in the Congo
Genre: Political Action Drama / Humanitarian Thriller
Tagline: โ€œThe war behind your screen is about to go global.โ€
Starring: Joe Jukic, Nelly Furtado, Angelina Jolie, Kanye West
Based on true eventsโ€”twisted by courage.


LOGLINE

Three rogue UN Peacekeepersโ€”Joe Jukic, Nelly Furtado, and Angelina Jolieโ€”defy orders and race against time to rally an African-led peacekeeping army, with Kanye West as their unpredictable commander, to stop the blood-mineral trade exploiting Congolese children and fueling the worldโ€™s cell phone addiction.


ACT ONE: THE FALLEN SIGNAL

Eastern Congo, near Bukavu โ€“ UN Peacekeepers Joe Jukic, Nelly Furtado, and Angelina Jolie operate a small, underfunded detachment meant to observe only. But when a drone captures footage of armed rebels forcing children into mineral mines, the team breaks protocol and intervenes, saving a small group of boys.

Instead of medals, theyโ€™re reprimanded. The UN command warns: โ€œWeโ€™re peacekeepers, not saviors.โ€

Joe, a Croatian-Canadian ex-journalist turned peacekeeper, is furious. Nelly, who left her music career to fight for justice after visiting Congo with UNICEF, is emotionally devastated by the childrenโ€™s trauma. Angelina, hardened from years of diplomatic failure, coldly declares:
โ€œIf the system wonโ€™t save them, weโ€™ll build one that can.โ€


ACT TWO: A GENERAL WITH A BEAT

The trio sets off on a rogue mission to expose the dirty pipeline of coltan and cobaltโ€”from the mines to the smartphone factories in Asia, to tech giants in Silicon Valley.

But to stop the flow, they need an army. Not mercenaries. Not more Western soldiers. Africa must protect Africa.

They turn to a controversial figure: Kanye West, recently gone dark after a political breakdown and spiritual retreat in Ghana. Joe finds him preaching to a crowd of youth in Dakar, dressed in a cloak, calling himself โ€œYฤ“sลซ Xโ€.

Kanye agreesโ€”but only if the army is African-owned, tech-powered, and uncorrupted by the UN or IMF. He wants to livestream justice. โ€œWe donโ€™t need donors. We need a revolutionโ€ฆ and a signal.โ€


ACT THREE: OPERATION BLOODLINE

Kanye assembles a legion of Congolese volunteers, ex-child soldiers, Pan-African veterans, and hackers. Nelly composes a haunting anthemโ€”โ€œEchoes from the Mineโ€โ€”that becomes the soundtrack of resistance. Angelina uses her old contacts to smuggle in medical aid and solar-powered comms. Joe gathers whistleblowers inside tech companies willing to go public.

The enemy is powerful:

  • Multinational companies
  • Corrupt militia generals
  • A private Western PMC guarding the biggest mine, Operation Vulcan, where thousands of children dig in darkness.

The climactic battle takes place deep in the jungle, where Kanyeโ€™s legion, backed by grassroots activists, drone swarms, and guerrilla comms, storms the compound. Children are freed. Data is dumped to the world in real time.

As bullets fly and signals rise, a voice echoes over speakers:
โ€œYou wanted cheap phones. This is the real cost.โ€


EPILOGUE: A NEW PROTOCOL

The UN is forced to act. The Congo Child Labor Ban Treaty is signed. African Peacekeeping Forces are permanently established with full autonomy.

Joe returns to writing, penning a memoir: โ€œBlood in the Circuit.โ€
Nelly opens schools throughout Central Africa, funded by her comeback world tour.
Angelina trains new peacekeepers for the African Union.
Kanye disappearsโ€”rumored to be building a solar-powered city-state in Senegal.


TONE & STYLE

Cell Phones in the Congo is a gritty, cinematic exposรฉ with raw realism and mythic rebellion. Inspired by Black Hawk Down, Beasts of No Nation, and The Battle of Algiers, with a modern digital war overlayโ€”where live feeds, viral music, and hacked satellites shape global conscience.


DIRECTED BY

Denis Villeneuve or Kathryn Bigelow

SCORE BY
Hans Zimmer x Burna Boy x Kanye West remixing Billy Joel’s “We didn’t start the fire”.

PRODUCED BY
Participant Media, Plan B, and Netflix Africa

RATING: R (intense thematic content, war violence, child endangerment)


โ€œCell Phones in the Congoโ€
You hold the war in your hand. Now watch them fight to stop it.

1901 The Movie: Tower Power

Title: 1901
Genre: Historical Drama / Tech Thriller
Starring:

  • Goran Visnjic as Nikola Tesla
  • Tom Cruise as Thomas Edison
  • Anthony Hopkins as J.P. Morgan

TREATMENT:

LOGLINE:
In the dawn of the 20th century, as the world braces for a new era of electricity, innovation, and empire, visionary inventor Nikola Tesla battles powerful rival Thomas Edison and financier J.P. Morgan in a high-stakes war of technology, control, and legacy.


ACT I โ€“ THE CURRENT WAR

The film opens in New York City, 1901, amidst the clanging steel and electric hum of a rapidly industrializing world. Serbian-born genius Nikola Tesla (Goran Visnjic) is isolated, eccentric, and destitute โ€” living in a hotel room with pigeons and unfinished blueprints. Flashbacks show his rise: the immigrant prodigy who once lit up the Chicago Worldโ€™s Fair, now a forgotten man.

Meanwhile, Thomas Edison (Tom Cruise) is in his prime โ€” rich, famous, and ruthless. Heโ€™s using Direct Current (DC) to power cities, even as Teslaโ€™s Alternating Current (AC) system proves superior. Yet Edison refuses to yield, launching public smear campaigns and electrocutions of animals to sway opinion.

Enter J.P. Morgan (Anthony Hopkins) โ€” the titanic banker and industrialist. Cold, cunning, and with a towering presence, Morgan finances Teslaโ€™s early innovations, only to turn on him when Tesla proposes free wireless energy from his Wardenclyffe Tower. Morgan scoffs: โ€œIf anyone can draw power from the air, where do we put the meter?โ€


ACT II โ€“ WARDENCLYFFE AND THE WIRELESS DREAM

Tesla races to complete his Wardenclyffe facility on Long Island โ€” a futuristic tower meant to transmit energy and information across the globe. He dreams of a world with no borders, no wires, and no war. Goran Visnjic brings emotional depth to Teslaโ€™s quiet madness and genius.

Edison and Morgan, threatened by this utopian vision, ally to sabotage Tesla. A secret committee of industrialists calls Teslaโ€™s project โ€œthe greatest threat to capitalism.โ€ Newspapers publish stories of Tesla as a dangerous madman.

Teslaโ€™s experiments grow stranger: death rays, earthquake machines, and cryptic claims of signals from Mars. He is either on the brink of world-shaping discovery โ€” or insanity.


ACT III โ€“ THE COLLAPSE AND THE LEGACY

Morgan pulls funding. Edison secures government contracts. The tower is dismantled. Tesla is evicted from his lab and reduced to speaking at clubs about โ€œvibrational frequenciesโ€ and โ€œinvisible waves.โ€ He feeds pigeons, ignored by the world he helped create.

But something remains. In a secret final experiment, Tesla transmits a brief pulse of power across the Atlantic โ€” lighting a bulb in Morocco. The scene is mythic, near-spiritual. He smiles. Heโ€™s proven it can be done.

The final scenes flash-forward to the 21st century โ€” wireless tech, drones, satellites, clean energy โ€” Teslaโ€™s dreams made real. A child opens a physics textbook. The name โ€œTeslaโ€ is on the cover.


FINAL IMAGE:

A long shot of the Eiffel Tower, lit at night. Lightning strikes. Somewhere, unseen, the current still flows.


Tone & Style:

A blend of The Prestige, There Will Be Blood, and Oppenheimer. Real science. Real rivalry. Real madness. Moody cinematography, dark Tesla coil visuals, and industrial-age dread. The moral question: who owns the future โ€” visionaries, businessmen, or no one?


Tagline:
โ€œHe lit the worldโ€ฆ but couldnโ€™t pay his own light bill.โ€


Let me know if you’d like a poster, screenplay pages, or dialogue samples.

FINAL SCENE: 1901 โ€“ Epilogue

INT. DARKENED HOTEL ROOM โ€“ NEW YORK CITY โ€“ NIGHT

Nikola Tesla (Goran Visnjic), gaunt and alone, stares at the last of his pigeons out the window. On the desk, blueprints of machines decades ahead of their time โ€” wireless energy, antigravity ships, particle beams โ€” scatter like abandoned dreams.

A single bulb flickers above. Then dies.

Tesla closes his eyes.

TESLA (V.O.)
The present is theirs. The future, for which I really worked, is mine.

A deep rumble builds…


EXT. PARIS โ€“ NIGHT โ€“ 2025

The Eiffel Tower stands glowing in the distance, but a storm is brewing overhead.

Suddenly โ€” a bolt of lightning crashes into the top of the tower.

The entire skyline of Paris surges with electricity โ€” a city powered by Teslaโ€™s forgotten vision.

Standing at the base of the Eiffel Tower, smiling in awe, are:

  • Joe Jukic, in a black leather jacket
  • Nelly Furtado, in a futuristic emerald dress
  • Justin Trudeau, in a navy blue suit
  • Katy Perry, radiant in a velvet gown
  • Emmanuel Macron, proud, and
  • Brigitte Macron, elegant and calm

They look up as the tower surges with power โ€” not just electricity, but hope.

In this moment, the world realizes Teslaโ€™s dream wasnโ€™t madness โ€” it was prophecy.

A caption fades in:

โ€œDedicated to Nikola Tesla โ€” the man who saw the future.โ€


CLOSING CREDITS

As the credits roll, the soundtrack features an original song by Nelly Furtado and Joe Jukic called “Lightning for the People” โ€” a blend of classical strings, pulsing synths, and poetic lyrics about free energy, stolen dreams, and a future reclaimed.