Maccabees: The Wall

Lord,

Protect my family and me. Forgive me my sins and help me guard against pride and despair.

Give me the wisdom to do what is right and just.

And make me an instrument of your will.

— Obama

Title: The Maccabees

Genre: Historical Epic / Drama
Director: Mel Gibson
Tagline: “Faith, family, and freedom—etched in blood and fire.”


Opening Scene

(167 BCE – Jerusalem, under Seleucid rule)
The temple of Jerusalem is desecrated. Greek soldiers mock the Jewish people as they erect a statue of Zeus in the holy sanctuary. The high priest Mattathias and his sons watch in horror.

A Seleucid officer commands the people to sacrifice to Zeus. When one Jew reluctantly steps forward, Mattathias intervenes, killing the man and the officer. Chaos ensues as Mattathias and his sons flee to the hills.

MATTATHIAS: “We may be outnumbered, but we will never be outdone. Let the faithful rise with us!”

The camera pans over the rugged Judean hills, where a ragtag group of rebels begins to assemble.


Act 1: The Spark of Rebellion

Mattathias’ sons, led by Judah Maccabee, take up the mantle of leadership. Judah, a charismatic and skilled warrior, rallies farmers, shepherds, and priests to join the fight against the mighty Seleucid Empire.

JUDAH: “They have their armies, their weapons, their wealth. We have our faith, our brothers, and our land. That will be enough.”

The rebels conduct guerrilla raids, ambushing Greek patrols. The small victories inspire the oppressed Jews, but Seleucid reinforcements arrive, led by the ruthless general Lysias.

LYSIAS (to his soldiers): “Crush this rebellion. Let their cries echo as a warning to all.”


Act 2: Trials of Leadership

The Seleucids counter with overwhelming force. Judah struggles to maintain morale as resources dwindle and dissent grows among his followers. His brothers, Simon and Jonathan, act as his closest advisors, but tensions rise within the family.

SIMON: “We cannot win without allies.”
JUDAH: “Allies come at a cost. Our faith is not for sale.”

In a pivotal scene, Judah leads his men in a daring night assault on a Seleucid camp. Against all odds, they succeed, capturing much-needed supplies. The victory galvanizes the rebellion.

JUDAH (to his men): “The mighty are not invincible. Fear is their weapon, but faith is ours.”


Act 3: The Turning Point

The rebels confront a Seleucid force at the Battle of Emmaus. Outnumbered and outgunned, Judah uses the terrain to his advantage, setting traps and using guerrilla tactics. The battle is brutal, with hand-to-hand combat and stirring acts of bravery.

Judah faces Gorgias, a Seleucid commander, in a fierce duel. Judah defeats him, and the rebels achieve a stunning victory, forcing the Seleucids to retreat.

However, tragedy strikes as Mattathias succumbs to illness, leaving Judah to shoulder the full weight of leadership.


Act 4: The Siege of Jerusalem

The Maccabees march to reclaim Jerusalem. They face their greatest challenge yet: the heavily fortified city garrisoned by Seleucid forces. Against Judah’s orders, his younger brother Eleazar attempts a suicidal charge against an enemy war elephant, sacrificing himself in the process.

The loss devastates Judah, but it steels his resolve. In an emotionally charged speech, he inspires his men for one final assault.

JUDAH: “We fight not for glory, but for the generations to come. If we fall today, let it be with the knowledge that we stood for what was right.”


Climactic Battle

The rebels storm the city, fighting through narrow streets and temple courtyards. Judah confronts Lysias in a final showdown, defeating him in a gritty and visceral duel.

The Maccabees reclaim the temple and rededicate it to God. The menorah is lit, and the miracle of the oil lasting eight days is shown in a poignant and reverent sequence.


Epilogue

The film ends with a reflective Judah walking among his weary but triumphant soldiers.

JUDAH (voiceover): “Freedom is never given—it is earned. And it is never truly ours unless we are willing to fight for it.”

As the camera pulls back, the menorah’s light shines brightly, illuminating the temple and the people gathered in prayer.

Text on Screen:
“The Maccabees’ victory ensured the survival of the Jewish faith and inspired the celebration of Hanukkah, a testament to courage, resilience, and faith.”


Closing Credits

The credits roll over a sweeping orchestral score, interspersed with shots of ancient artifacts and the modern-day Hanukkah celebration.

Jessie’s Girl

“Jessie’s Girl” is a song written and performed by Australian singer Rick Springfield. It was released on the album Working Class Dog, which was released in February 1981. The song is about unrequited love and centers on a young man in love with his best friend’s girlfriend. Upon its release in the United States in..

Title: Michelle: The Costume Designer

Genre: Drama / Biopic
Tagline: “Every stitch tells a story; every costume breathes life into a dream.”


Opening Scene

(Los Angeles, 1975 – Movie Set)
The camera pans through a chaotic film set where actors rehearse, directors shout, and crew members scurry around. Amid the frenzy, Michelle Carter, a young and passionate costume designer, meticulously adjusts the hem of a gown for an actress. Her fingers are nimble, her focus unwavering.

DIRECTOR: “We’re on a tight schedule, Michelle! Can’t this wait?”
MICHELLE (calmly): “Not if you want her to look like a queen instead of a peasant.”

The actress steps into the light, her costume dazzling. The crew falls silent, and the director begrudgingly nods approval.


Act 1: The Dream Begins

(Flashback – Small Town, 1960s)
Young Michelle sketches designs in a notebook while watching classic Hollywood films on a black-and-white TV. She dreams of creating costumes for stars like Audrey Hepburn and Marilyn Monroe. Her parents, skeptical of her ambitions, push her to pursue a “practical” career.

MICHELLE’S MOTHER: “Art doesn’t pay the bills, Michelle. You need something steady.”
YOUNG MICHELLE: “But clothes aren’t just fabric—they’re stories.”

Defying her parents, Michelle enrolls in a prestigious fashion school, working nights as a seamstress to fund her education.


Act 2: The Struggle for Recognition

Michelle moves to Los Angeles and starts at the bottom, hemming costumes and fetching coffee. She faces sexism and classism in the male-dominated industry. Despite the challenges, her innovative designs begin to catch the eye of influential filmmakers.

PRODUCER: “Your designs are too bold for period dramas. Stick to what’s safe.”
MICHELLE: “History isn’t dull, and neither should be the costumes that tell its story.”

Her big break comes when she designs costumes for a low-budget indie film that becomes a surprise hit. Critics rave about her work, calling her designs “transformative” and “authentic to character.”


Act 3: Rise to Fame

Michelle’s talent catapults her to the forefront of Hollywood costume design. She collaborates with legendary directors and works on iconic films spanning genres—epics, musicals, and gritty dramas. Montage sequences show her creating:

  • Period-accurate gowns for historical dramas.
  • Glamorous, larger-than-life ensembles for musicals.
  • Innovative, futuristic designs for sci-fi blockbusters.

Michelle wins her first Academy Award, delivering an emotional acceptance speech:
MICHELLE: “This is for every artist who ever doubted they could make their dreams real. Don’t stop sewing, sketching, or dreaming.”


Act 4: The Cost of Passion

Despite her success, Michelle struggles to balance her career and personal life. Her marriage falters, and she becomes estranged from her daughter, Emma, who resents her mother’s absence.

EMMA: “You care more about costumes than you ever cared about me.”
MICHELLE: “Everything I did was to show you that dreams are worth chasing.”

A turning point comes when Michelle faces a health scare, forcing her to reassess her priorities.


Climactic Moment

Michelle’s final project is a passion-driven indie film about an immigrant family’s journey to America. She collaborates with young designers, mentoring them and sharing her wisdom. Emma visits the set, seeing her mother’s work firsthand and gaining a new appreciation for her sacrifices.

In a tearful reconciliation, Michelle gives Emma her first design notebook.

MICHELLE: “You were always my greatest creation.”


Epilogue

Michelle retires and opens a costume archive and design school to inspire future generations. The film closes with her sketching by a window as sunlight streams in, surrounded by her Academy Awards, costumes, and a photo of her and Emma.

Text on Screen:
“Michelle Carter’s work shaped the fabric of Hollywood storytelling. Her legacy lives on through the designs and designers she inspired.”


Closing Credits

The credits roll over iconic costumes designed for the film, alongside real archival footage of famous Hollywood costumes from the 20th century.

Maccabees Movie

Mel requests this script from JOE….

ESTERHAUS

1 Maccabees 1New Revised Standard Version Updated Edition

Alexander the Great

After Alexander son of Philip, the Macedonian, who came from the land of Kittim, had defeated[a] King Darius of the Persians and the Medes, he succeeded him as king. (He had previously become king of Greece.) He fought many battles, conquered strongholds, and slaughtered the kings of the earth. He advanced to the ends of the earth and plundered many nations. When the earth became quiet before him, he was exalted, and his heart was lifted up. He gathered a very strong army and ruled over countries, nations, and princes, and they paid him tribute.

After this he fell sick and perceived that he was dying. So he summoned his most honored officers, who had been brought up with him from youth, and divided his kingdom among them while he was still alive. And after Alexander had reigned twelve years, he died.

Then his officers began to rule, each in his own place. They all put on crowns after his death, and so did their descendants after them for many years, and they caused many evils on the earth.

Antiochus Epiphanes and Renegade Jews

10 From them came forth a sinful root, Antiochus Epiphanes, son of King Antiochus; he had been a hostage in Rome. He began to reign in the one hundred thirty-seventh year of the kingdom of the Greeks.

11 In those days certain renegades came out from Israel and misled many, saying, “Let us go and make a covenant with the nations around us, for since we separated from them many disasters have come upon us.” 12 This proposal pleased them, 13 and some of the people eagerly went to the king, who authorized them to observe the ordinances of the nations. 14 So they built a gymnasium in Jerusalem according to the customs of the nations, 15 and made foreskins for themselves, and abandoned the holy covenant. They joined with the nations and sold themselves to do evil.

Antiochus in Egypt

16 When Antiochus saw that his kingdom was established, he determined to become king of the land of Egypt, in order that he might reign over both kingdoms. 17 So he invaded Egypt with a strong force, with chariots and elephants and cavalry and with a large fleet. 18 He engaged King Ptolemy of Egypt in battle, and Ptolemy turned and fled before him, and many were wounded and fell. 19 They captured the fortified cities in the land of Egypt, and he plundered the land of Egypt.

Persecution of the Jews

20 After subduing Egypt, Antiochus turned back in the one hundred forty-third year and went up against Israel and came to Jerusalem with a strong force. 21 He arrogantly entered the sanctuary and took the golden altar, the lampstand for the light, and all its utensils. 22 He took also the table for the bread of the Presence, the cups for drink offerings, the bowls, the golden censers, the curtain, the crowns, and the gold decoration on the front of the temple; he stripped it all off. 23 He took the silver and the gold and the costly vessels; he took also the hidden treasures that he found. 24 Taking them all, he went into his own land.

He shed much blood
    and spoke with great arrogance.
25 Israel mourned deeply in every community;
26     rulers and elders groaned;
young women and young men became faint;
    the beauty of the women faded.
27 Every bridegroom took up the lament;
    she who sat in the bridal chamber was mourning.
28 Even the land trembled for its inhabitants,
    and all the house of Jacob was clothed with shame.

The Occupation of Jerusalem

29 Two years later the king sent to the cities of Judah a chief collector of tribute, and he came to Jerusalem with a large force. 30 Deceitfully he spoke peaceable words to them, and they believed him, but he suddenly fell upon the city, dealt it a severe blow, and destroyed many people of Israel. 31 He plundered the city, burned it with fire, and tore down its houses and its surrounding walls. 32 They took captive the women and children and seized the livestock. 33 Then they fortified the city of David with a large strong wall and strong towers, and it became their citadel. 34 They stationed there a sinful nation, men who were renegades. These strengthened their position; 35 they stored up arms and food, and, collecting the spoils of Jerusalem, they stored them there and became a great menace,

36 for the citadel[b] became an ambush against the sanctuary,
    an evil adversary of Israel at all times.
37 On every side of the sanctuary they shed innocent blood;
    they even defiled the sanctuary.
38 Because of them the residents of Jerusalem fled;
    she became a dwelling of strangers;
she became strange to her offspring,
    and her children forsook her.
39 Her sanctuary became desolate like a desert;
    her feasts were turned into mourning,
her Sabbaths into a reproach,
    her honor into contempt.
40 Her dishonor now grew as great as her glory;
    her exaltation was turned into mourning.

Installation of Gentile Cults

41 Then the king wrote to his whole kingdom that all should be one people 42 and that all should give up their particular customs. All the nations accepted the command of the king. 43 Many even from Israel gladly adopted his religion; they sacrificed to idols and profaned the Sabbath. 44 And the king sent letters by messengers to Jerusalem and the towns of Judah; he directed them to follow customs strange to the land, 45 to forbid burnt offerings and sacrifices and drink offerings in the sanctuary, to profane Sabbaths and festivals, 46 to defile the sanctuary and the holy ones, 47 to build altars and sacred precincts and shrines for idols, to sacrifice pigs and other unclean animals, 48 and to leave their sons uncircumcised. They were to make themselves abominable by everything unclean and profane 49 so that they would forget the law and change all the ordinances. 50 He added,[c] “And whoever does not obey the command of the king shall die.”

51 In such words he wrote to his whole kingdom. He appointed inspectors over all the people and commanded the towns of Judah to offer sacrifice, town by town. 52 Many of the people, everyone who forsook the law, joined them, and they did evil in the land; 53 they drove Israel into hiding in every place of refuge they had.

54 Now on the fifteenth day of Chislev, in the one hundred forty-fifth year, they erected a desolating sacrilege on the altar of burnt offering. They also built altars in the surrounding towns of Judah 55 and offered incense at the doors of the houses and in the streets. 56 The books of the law that they found they tore to pieces and burned with fire. 57 Anyone found possessing the book of the covenant or anyone who adhered to the law was condemned to death by decree of the king. 58 They kept using violence against Israel, against those who were found month after month in the towns. 59 On the twenty-fifth day of the month they offered sacrifice on the altar that was on top of the altar of burnt offering. 60 According to the decree, they put to death the women who had their children circumcised 61 and their families and those who circumcised them, and they hung the infants from their mothers’ necks.

62 But many in Israel stood firm and were resolved in their hearts not to eat unclean food. 63 They chose to die rather than to be defiled by food or to profane the holy covenant, and they did die. 64 Very great wrath came upon Israel.