Caravel Movie Treatment

🎬 Title: CARAVEL: THE OCEAN CONQUERORS

Written by: Joseph C. Jukic
Starring: LuĂ­s Morgado, Diogo Morgado, Jaymes Morgado, LuĂ­s Morgado Jr., and Joseph C. Jukic
Original Music by: Nelly Furtado
Genre: Historical Epic / Adventure / Drama
Tagline: They built a ship to cross the sea — and found a bridge to heaven.


LOGLINE

In 15th-century Portugal, a visionary shipwright and his sons craft a revolutionary vessel—the caravel—that defies the limits of man and nature. But when resources run dry, their fate rests in the calloused hands of a humble lumberjack who must decide if the forest will surrender its heartwood to history.


TREATMENT

ACT I — THE FOREST AND THE FAITH

Portugal, 1430.
A nation of dreamers, hemmed in by mountains and sea, with forests dwindling and faith running thin.

Luís Morgado, a shipwright from Lagos, is obsessed with a vision: a new kind of ship that can sail into the wind and return alive—the caravel. His three sons—Diogo, the fierce sailor; Jaymes, the practical craftsman; and Luís Jr., the idealist scholar—work alongside him in a weathered dockyard by the sea.

But they face a problem greater than design: Portugal’s forests are dying. There is no strong timber left to build their dream.

Enter Joseph C. Jukic, a Croatian-born lumberjack who roams the Iberian hills alone, wielding his axe like a monk’s rosary. Known by locals as O Lenhador do Norte (“The Northern Woodcutter”), Jukic is the last man who knows how to read the trees.

In a haunting early scene, Jukic stands before a lone cork oak at dawn, whispering,

“Forgive me, old friend. Your bones will sail the world.”
He fells the tree, and its fall echoes through the valley — the first heartbeat of the caravel.

As the Morgados shape the sacred wood, Nelly Furtado’s fado ballad “Roots of the Sea” plays — a lament for the lost forest and a prayer for rebirth.

Prince Henry the Navigator summons LuĂ­s Morgado to court, scoffing at his fragile design. But LuĂ­s replies,

“We do not need strength to defeat the sea. We need grace.”
The Prince, half-amused, grants him one chance: build the ship, survive the test voyage, and prove Portugal’s destiny.


ACT II — THE BIRTH OF THE CARAVEL

The Morgados, with Jukic’s timber and grit, construct the first prototype. Each plank carries the mark of the forest; each nail, the echo of faith. Jukic helps the family transport logs from the Serra de Monchique to the shipyard, braving bandits, wolves, and superstition.

During a night fire scene, Diogo accuses Jukic of cutting “cursed wood” after sparks ignite on the ship’s frame. Jukic responds:

“There are no cursed trees — only men who forget they are made of the same.”

When the caravel is finally ready, she gleams under the dawn sun — light, curved, triangular-sailed, almost alive. Luís names her “Esperança” — Hope.

Nelly Furtado’s “Sail the Light” accompanies the launch — her voice rising with the tide as the ship touches the Atlantic for the first time.

The Morgados and a small crew set sail. Jukic remains on shore, watching the sails fade into the horizon. He bows his head, whispering,

“Go with the wind, my children. I’ll keep the forest waiting.”


ACT III — THE EDGE OF THE WORLD

Out at sea, the Esperança faces tempests, hunger, and doubt. Diogo and Jaymes clash over leadership. Luís Jr. studies the stars to keep their course. Their father prays, questioning if man was meant to cross God’s horizon.

Meanwhile, back in the forests, Jukic confronts a different storm: royal soldiers arrive to seize the remaining trees for warships. He defends the grove with his axe, declaring,

“The forest gave her sons to discovery, not destruction!”
His stand becomes legend — the lumberjack who defied the crown for creation.

Out at sea, the Morgados survive the storm and discover the Azores. They name the islands after angels. Luís records his son’s words in his journal:

“The sea is not our enemy, Father. It’s our reflection.”

They return to Portugal with proof that the world extends beyond fear.


ACT IV — LEGACY OF WOOD AND WATER

The Esperança sails triumphantly into Lisbon’s harbor. Prince Henry kneels before the ship, realizing the divine miracle before him.

“This is not a vessel,” he says. “It is a prayer answered by wood and wind.”

LuĂ­s Morgado is knighted. His sons become explorers.
And far away, Joseph C. Jukic plants a single cork oak sapling in the ashes of his grove, murmuring,

“The sea took the trees. Now let the trees take the sea.”

As the camera pans from the sapling to a fleet of caravels departing into the golden horizon, Nelly Furtado’s closing anthem “Sons of the Wind” fills the sky — blending Portuguese fado, Indigenous drums, and ocean waves.

A final title card appears:

“The Caravel transformed the world. With her sails, Portugal conquered the ocean — not through strength, but through spirit.”


VISUAL & MUSICAL STYLE

Shot in natural light, with painterly tones inspired by The New World and Master and Commander.
The forests are dark cathedrals of green; the sea, a cathedral of blue.
Nelly Furtado’s score fuses ancient fado with modern world rhythms, evoking both the melancholy of loss and the hope of discovery.


CAST

  • LuĂ­s Morgado as LuĂ­s Morgado Sr., the visionary shipwright
  • Diogo Morgado as Diogo Morgado, the bold sailor-son
  • Jaymes Morgado as Jaymes Morgado, the pragmatic builder
  • LuĂ­s Morgado Jr. as LuĂ­s Jr., the scholarly navigator
  • Joseph C. Jukic as The Lumberjack, guardian of the forest, spiritual catalyst of the voyage

Christus Rex Movie Treatment

Title: Christus Rex
Scene: The Tree and the Tax Collector
Starring: Joseph C. Jukic as Christus Rex (Jesus), and Basashar as Zacchaeus the Tax Collector


EXT. JERICHO – DUSK

Golden light spills over the narrow road into Jericho. The crowd hums like bees — pilgrims, merchants, beggars, Roman soldiers — all pushing forward to see the man they call Christus Rex.

The sound of sandals on sand. Dust rising. Whispers follow Him like shadows.

At the edge of the road stands ZACCHAEUS (Basashar), a short, sharply dressed man with gold rings and nervous eyes. Children jeer at him. He’s despised but curious.

Zacchaeus looks down the road where the crowd parts for CHRISTUS REX (Joseph C. Jukic) — tall, calm, radiant but weary, as if carrying the weight of all empires.

Zacchaeus mutters to himself.

ZACCHAEUS
(to himself)
Too many people. I’ll never see Him from here.

He looks around, sees a fig tree with low branches, and scrambles up like a desperate boy escaping judgment. His sandals slip on the bark, but he climbs anyway.

Children laugh. A Roman guard shakes his head.

CHILD
(laughing)
Look! The tax man’s in a tree!

Zacchaeus ignores them, clutching the branches, peering through the leaves as Christus Rex approaches.

The Messiah slows his pace. The noise of the crowd fades as if the air itself is listening.

Christus looks up. His gaze pierces through leaves and pride.

CHRISTUS REX
(calling gently)
Zacchaeus… come down.

A stunned silence. The tax collector freezes, eyes wide.

ZACCHAEUS
(awkwardly)
You… you know my name?

CHRISTUS REX
I knew you before the coins chained your heart.
Come down, my friend. Tonight, I will dine at your house.

The crowd murmurs in disbelief. Pharisees whisper among themselves.

PHARISEE
He dines with sinners!

CHRISTUS REX
(turning to them, calm but thunderous)
I came not for the righteous… but for the lost.

Zacchaeus slides down the tree, landing awkwardly. He kneels before Christus, trembling.

ZACCHAEUS
Lord… I’ve cheated men. Taken what wasn’t mine.
But if you’ll come to my house — I’ll give half of what I own to the poor.
And if I’ve wronged anyone, I’ll repay them fourfold.

Christus places His hand on Zacchaeus’ head.

CHRISTUS REX
Salvation has come to your house, Zacchaeus.
The Son of Man came to seek and to save what was lost.

The crowd falls silent. The sun breaks through the fig leaves, bathing both men in gold.

Christus Rex turns to the people — His eyes fierce, His voice echoing like wind over the desert.

CHRISTUS REX
The Kingdom of Heaven does not rise in marble palaces.
It begins… in the heart of a sinner who climbs a tree just to see God.

He smiles faintly, gestures for Zacchaeus to walk beside Him. Together they disappear into the glow of dusk.

FADE OUT.

Katniss Molotov and Comrade Jozo

Katniss Molotov

A Revolutionary Screenplay

FADE IN:

EXT. EAST VANCOUVER – NIGHT

The neon lights of a dozen BANK MACHINES hum in the darkness. A camera pans across shattered bottles on the ground—empty beer cans everywhere, but not a single glass bottle in sight.

JOZO (30s, weary but fiery) kicks the ground.

JOZO
(angrily)
Damn it, Katniss! Not a single glass bottle left in East Van. How do you fight the capitalist machine without glass for a Molotov?

KATNISS MOLOTOV (20s, leather jacket, fire in her eyes) lights a cigarette, smirking.

KATNISS
If the bankers think they can chain us down with plastic bottles and debit fees…
(leans in)
We’ll just break their machines another way.

They both pull out a tube of industrial SUPERGLUE.

KATNISS & JOZO
(in unison, yelling at the ATM)
TO EACH ACCORDING TO ABILITY, AND TO EACH ACCORDING TO THEIR NEED!

Katniss glues every button on the ATM keypad. Jozo slathers glue into the card slot with a wild laugh.

CUT TO:

INT. SAFEWAY SUPERMARKET – EAST VAN – DAY

Chaos and joy intermingle. The ATM lines are gone. Shoppers stand around confused.

SUNDEEP (25, Safeway clerk with a mop, anarchist at heart) rips off his work vest, storms into the manager’s booth, and cranks the stereo system.

LOUDSPEAKER:
Rage Against the Machine’s “Killing in the Name” BLASTS.

Sundeep grabs the mic.

SUNDEEP
SCREAMS:
JUST TAKE WHAT YOU NEED!
There’s enough for everyone’s needs—not their greed!

Crowds CHEER. People start sharing food, loading carts carefully, no cash registers ringing. Honor system activated.

CUT TO:

EXT. SAFEWAY PARKING LOT – NIGHT

Communal fires burn in metal barrels. Neighbors trade bread for beans, milk for rice. No one goes hungry.

SEAN PENN (60s, dressed in a red commissar coat, cigar in hand) struts in.

SEAN PENN
Comrades, tonight we feast. But if anyone hoards… I’ll be the one to decide.

Everyone laughs nervously but then nods.

Sean Penn picks up a bag of chips from a man holding five.

SEAN PENN
One for you. Four for the people.

The crowd ROARS with approval.

MONTAGE:

– Children eat fresh fruit under street murals of Marx and Che.
– Old ladies laugh, trading bread loaves like baseball cards.
– The Safeway shelves empty perfectly—nothing wasted, nothing hoarded.
– Graffiti spreads across East Van walls: “EAT THE RICH, FEED THE POOR.”

NARRATOR (V.O.)

That night, East Van turned into a paradise.
Everyone had a full belly.
And not a single scrap of food went to waste.

FADE OUT.

TITLE CARD:
The night of the revolution was only the beginning…