Christus Rex Movie Treatment

Title: Christus Rex
Scene: The Tree and the Tax Collector
Starring: Joseph C. Jukic as Christus Rex (Jesus), and Basashar as Zacchaeus the Tax Collector


EXT. JERICHO – DUSK

Golden light spills over the narrow road into Jericho. The crowd hums like bees — pilgrims, merchants, beggars, Roman soldiers — all pushing forward to see the man they call Christus Rex.

The sound of sandals on sand. Dust rising. Whispers follow Him like shadows.

At the edge of the road stands ZACCHAEUS (Basashar), a short, sharply dressed man with gold rings and nervous eyes. Children jeer at him. He’s despised but curious.

Zacchaeus looks down the road where the crowd parts for CHRISTUS REX (Joseph C. Jukic) — tall, calm, radiant but weary, as if carrying the weight of all empires.

Zacchaeus mutters to himself.

ZACCHAEUS
(to himself)
Too many people. I’ll never see Him from here.

He looks around, sees a fig tree with low branches, and scrambles up like a desperate boy escaping judgment. His sandals slip on the bark, but he climbs anyway.

Children laugh. A Roman guard shakes his head.

CHILD
(laughing)
Look! The tax man’s in a tree!

Zacchaeus ignores them, clutching the branches, peering through the leaves as Christus Rex approaches.

The Messiah slows his pace. The noise of the crowd fades as if the air itself is listening.

Christus looks up. His gaze pierces through leaves and pride.

CHRISTUS REX
(calling gently)
Zacchaeus… come down.

A stunned silence. The tax collector freezes, eyes wide.

ZACCHAEUS
(awkwardly)
You… you know my name?

CHRISTUS REX
I knew you before the coins chained your heart.
Come down, my friend. Tonight, I will dine at your house.

The crowd murmurs in disbelief. Pharisees whisper among themselves.

PHARISEE
He dines with sinners!

CHRISTUS REX
(turning to them, calm but thunderous)
I came not for the righteous… but for the lost.

Zacchaeus slides down the tree, landing awkwardly. He kneels before Christus, trembling.

ZACCHAEUS
Lord… I’ve cheated men. Taken what wasn’t mine.
But if you’ll come to my house — I’ll give half of what I own to the poor.
And if I’ve wronged anyone, I’ll repay them fourfold.

Christus places His hand on Zacchaeus’ head.

CHRISTUS REX
Salvation has come to your house, Zacchaeus.
The Son of Man came to seek and to save what was lost.

The crowd falls silent. The sun breaks through the fig leaves, bathing both men in gold.

Christus Rex turns to the people — His eyes fierce, His voice echoing like wind over the desert.

CHRISTUS REX
The Kingdom of Heaven does not rise in marble palaces.
It begins… in the heart of a sinner who climbs a tree just to see God.

He smiles faintly, gestures for Zacchaeus to walk beside Him. Together they disappear into the glow of dusk.

FADE OUT.

Kattniss Molotov Part 2: Mom & Pop

Film Treatment – Kattniss Molotov 2: Mom and Pop

Genre

Dark Satirical Action / Political Comedy

Logline

Armed with Molotov cocktails and righteous fury, Kattniss Molotov, her partner-in-chaos Comrade Jozo, and a ragtag army of far-left protestors declare war on corporate franchises—turning cities into flaming battlegrounds while rallying behind the slogan: “Back to Mom and Pop Small Business!”


Act I – The Fire Returns

The film opens with a chaotic montage of cities flooded with neon-lit logos: McDonald’s, Starbucks, Amazon Go, Walmart—giant corporations dominating every street corner. Small businesses close down one by one.

Kattniss Molotov, now an underground legend after the fiery events of the first film, is in hiding. But when her childhood neighborhood’s last family-run bakery is bulldozed for another Starbucks, she vows to ignite a second revolution.

She reunites with her loyal ally Comrade Jozo, a philosophical ex-Yugoslav revolutionary who believes “capitalism kills culture one latte at a time.” Together, they begin recruiting young anarchists, union workers, climate activists, and punks into a guerrilla movement.

Their rallying cry:
“Back to Mom and Pop Small Business!”


Act II – Flames of Revolt

The movement launches with symbolic Molotov raids on major franchises. In a stunning action set-piece, a convoy of delivery trucks filled with fast-food supplies is ambushed. Protestors rain bottles of fire over golden arches and green mermaid logos.

The public reaction is polarized:

  • Working-class families cheer the attacks as “Robin Hood economics.”
  • The corporate elite label Kattniss a domestic terrorist.
  • Social media memes turn her into a folk hero.

But the movement isn’t without cracks. Some protestors want chaos for its own sake. Others push for peaceful boycotts. Kattniss struggles to hold the group together as Comrade Jozo warns:
“Revolution without discipline burns itself out.”

The government forms a Corporate Security Task Force, armed with drones, riot cops, and surveillance. The city turns into a war zone—independent coffee shops and bookstores become secret bases, while every Starbucks window is a potential target.


Act III – Mom and Pop or Bust

As the revolution escalates, Kattniss and Jozo discover a chilling truth: corporations are lobbying for a new law that would ban independent businesses outright under the guise of “consumer safety.”

The climax is a massive showdown at a corporate expo, where CEOs unveil their “franchise-only future.” Kattniss and Jozo lead thousands of protestors in a fiery siege, raining down Molotovs in a surreal spectacle of fire and glass.

But at the heart of the battle, Kattniss makes a choice: keep burning until everything collapses, or channel the movement into rebuilding a world where Mom & Pop shops can thrive.

In the final shot, as smoke clears, Kattniss delivers her manifesto over hacked screens:
“We don’t want your clown burgers or your siren lattes. We want our neighbors back. Back to Mom and Pop!”

The screen cuts to black with the roar of protest chants echoing.


Themes

  • Anti-Corporate Resistance: a critique of monopoly capitalism and the erasure of small businesses.
  • The Fire of Revolution: satire on both left-wing radicalism and corporate greed.
  • Community vs. Consumerism: what’s lost when local shops are replaced by soulless franchises.

Tone & Style

Think V for Vendetta meets Fight Club, but with the biting humor of Sorry to Bother You. Explosive action sequences balanced with surreal satire, graffiti slogans, and punk-rock energy.

Katniss Molotov and Comrade Jozo

Katniss Molotov

A Revolutionary Screenplay

FADE IN:

EXT. EAST VANCOUVER – NIGHT

The neon lights of a dozen BANK MACHINES hum in the darkness. A camera pans across shattered bottles on the ground—empty beer cans everywhere, but not a single glass bottle in sight.

JOZO (30s, weary but fiery) kicks the ground.

JOZO
(angrily)
Damn it, Katniss! Not a single glass bottle left in East Van. How do you fight the capitalist machine without glass for a Molotov?

KATNISS MOLOTOV (20s, leather jacket, fire in her eyes) lights a cigarette, smirking.

KATNISS
If the bankers think they can chain us down with plastic bottles and debit fees…
(leans in)
We’ll just break their machines another way.

They both pull out a tube of industrial SUPERGLUE.

KATNISS & JOZO
(in unison, yelling at the ATM)
TO EACH ACCORDING TO ABILITY, AND TO EACH ACCORDING TO THEIR NEED!

Katniss glues every button on the ATM keypad. Jozo slathers glue into the card slot with a wild laugh.

CUT TO:

INT. SAFEWAY SUPERMARKET – EAST VAN – DAY

Chaos and joy intermingle. The ATM lines are gone. Shoppers stand around confused.

SUNDEEP (25, Safeway clerk with a mop, anarchist at heart) rips off his work vest, storms into the manager’s booth, and cranks the stereo system.

LOUDSPEAKER:
Rage Against the Machine’s “Killing in the Name” BLASTS.

Sundeep grabs the mic.

SUNDEEP
SCREAMS:
JUST TAKE WHAT YOU NEED!
There’s enough for everyone’s needs—not their greed!

Crowds CHEER. People start sharing food, loading carts carefully, no cash registers ringing. Honor system activated.

CUT TO:

EXT. SAFEWAY PARKING LOT – NIGHT

Communal fires burn in metal barrels. Neighbors trade bread for beans, milk for rice. No one goes hungry.

SEAN PENN (60s, dressed in a red commissar coat, cigar in hand) struts in.

SEAN PENN
Comrades, tonight we feast. But if anyone hoards… I’ll be the one to decide.

Everyone laughs nervously but then nods.

Sean Penn picks up a bag of chips from a man holding five.

SEAN PENN
One for you. Four for the people.

The crowd ROARS with approval.

MONTAGE:

– Children eat fresh fruit under street murals of Marx and Che.
– Old ladies laugh, trading bread loaves like baseball cards.
– The Safeway shelves empty perfectly—nothing wasted, nothing hoarded.
– Graffiti spreads across East Van walls: “EAT THE RICH, FEED THE POOR.”

NARRATOR (V.O.)

That night, East Van turned into a paradise.
Everyone had a full belly.
And not a single scrap of food went to waste.

FADE OUT.

TITLE CARD:
The night of the revolution was only the beginning…

Joe Jukic