Hamlet

Speech: “To be, or not to be, that is the question”

By William Shakespeare

(from Hamlet, spoken by Hamlet)

To be, or not to be, that is the question:

Whether ’tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

Or to take arms against a sea of troubles

And by opposing end them. To die—to sleep,

No more; and by a sleep to say we end

The heart-ache and the thousand natural shocks

That flesh is heir to: ’tis a consummation

Devoutly to be wish’d. To die, to sleep;

To sleep, perchance to dream—ay, there’s the rub:

For in that sleep of death what dreams may come,

When we have shuffled off this mortal coil,

Must give us pause—there’s the respect

That makes calamity of so long life.

For who would bear the whips and scorns of time,

Th’oppressor’s wrong, the proud man’s contumely,

The pangs of dispriz’d love, the law’s delay,

The insolence of office, and the spurns

That patient merit of th’unworthy takes,

When he himself might his quietus make

With a bare bodkin? Who would fardels bear,

To grunt and sweat under a weary life,

But that the dread of something after death,

The undiscovere’d country, from whose bourn

No traveller returns, puzzles the will,

And makes us rather bear those ills we have

Than fly to others that we know not of?

Thus conscience doth make cowards of us all,

And thus the native hue of resolution

Is sicklied o’er with the pale cast of thought,

And enterprises of great pith and moment

With this regard their currents turn awry

And lose the name of action.

Screenplay 1915 – Armenia

Title: The False Messiah
Written by: Joseph C. Jukic


Act 1: The Rise of Sabbatai Zvi

Opening Scene:
1666, Salonica (modern Thessaloniki). The bustling streets are alive with the chatter of merchants, the clinking of coins, and the hum of prayer. The camera pans to Sabbatai Zvi, a striking figure with piercing eyes and a commanding presence, addressing a crowd of Jewish followers in the marketplace.

Sabbatai Zvi (to the crowd):
“The time has come! The Messiah walks among you, and I am He. Together, we shall return to Zion, to reclaim the Promised Land.”

Narration (Voiceover):
“Sabbatai Zvi’s proclamation electrified the Jewish world. But beneath his charisma lay a dangerous undercurrent of ambition and secrecy.”

Cut to: A shadowy meeting in a dimly lit room. Emmanuel Carraso, a member of the Salonika Lodge, listens intently to a group of influential figures.

Carraso:
“This man, Zvi, is stirring the hearts of the people. But his delusions of grandeur could destabilize the region. We must observe him closely.”

Young Turk Leader 1:
“And what of our own plans? The Ottoman Empire is weak. The time to act is near.”

Carraso:
“Patience. The Messiah’s rise may serve as a useful distraction.”


Act 2: The Young Turks and the Armenian Question

Scene: The Salonika Lodge
1908. The camera reveals a secret meeting of the Young Turks, including figures like Talaat Pasha, Enver Pasha, and Djemal Pasha. Carraso, now an elder statesman, addresses the group.

Carraso:
“Gentlemen, the empire is crumbling. The Armenians, with their aspirations for independence, are a threat to our unity. If we are to build a modern Turkey, sacrifices must be made.”

Talaat Pasha:
“Sacrifices? You mean eradication.”

Carraso (hesitant):
“Call it what you will. The end justifies the means.”

Enver Pasha:
“And the Jews of Salonica? Will they support us?”

Carraso:
“They will, so long as their businesses and lives remain untouched. Focus on the Armenians.”


Act 3: The Messiah and the Massacre

Scene: A Parallel Timeline
The story intercuts between Sabbatai Zvi’s rise in the 17th century and the horrors of the Armenian Genocide in the early 20th century. Zvi’s followers celebrate his declaration as the Messiah, while Armenians flee their homes, chased by Ottoman soldiers.

Narration (Voiceover):
“The Young Turks, inspired by their vision of a modern, secular Turkey, unleashed a campaign of terror. Meanwhile, the false Messiah’s promises unraveled, as Zvi was forced to convert to Islam under threat of death.”

Cut to: Emmanuel Carraso, in his final days, reflecting on his role in history.

Carraso (to himself):
“I thought I could control the tides of history. But we were all swept away—by ambition, by fear, by the blood we spilled.”


Act 4: A Reckoning

Scene: A Modern-Day Reflection
The camera shifts to present-day Salonica, where a historian uncovers Carraso’s hidden diaries. The pages reveal his secrets: his involvement in the Young Turks, his complicity in the Armenian Genocide, and his observations of Sabbatai Zvi.

Historian (reading aloud):
“The Messiah was a man, flawed and fallible, just like the rest of us. And we, the so-called architects of a new world, were no better.”

Closing Scene:
The camera pans over the ruins of an Armenian church, the bustling streets of modern Istanbul, and the remnants of Zvi’s synagogue in Salonica. A voiceover concludes:

Narration (Voiceover):
“History is written by the victors, but the truth lingers in the shadows, waiting to be uncovered.”

Fade to Black.
Title Card: “Dedicated to the victims of false prophets and human ambition.”

The End.

Mad Max VS Terminator

TAGLINE

SAME MAKE, SAME MODEL, DIFFERENT CONTINENT

Title: Mad Max vs. Terminator

Genre: Action/Sci-Fi
Tagline: “One fights to survive, the other to annihilate. Who will own the wasteland?”


Opening Scene

(Post-apocalyptic Wasteland)
A desolate, sun-scorched desert. Rusted vehicles lie in ruins. A convoy of raiders speeds across the dunes, chasing a lone Interceptor. Behind the wheel is Max Rockatansky, his eyes scanning for escape routes.

As Max outmaneuvers the raiders, he crashes into a hidden pit filled with skeletal remains. Before he can react, a shimmering light appears above him—a time portal. Emerging from it is a T-800 Terminator, sent back to eliminate the human resistance leader’s ancestor, rumored to live in this wasteland.

T-800 (Arnold Schwarzenegger): “Target identified. Eliminate.”


Act 1: Initial Encounter

Max, wary of this metallic stranger, tries to talk his way out. The T-800 simply raises a shotgun. Max dives into his car, narrowly avoiding the shot. A high-octane chase ensues through the dunes, with the T-800 commandeering a raider vehicle.

Max uses his cunning and traps the T-800 under falling debris. Believing he’s won, he drives off—but the Terminator emerges unscathed.


Act 2: The Alliance

Max stumbles upon a hidden survivor colony led by Furiosa, who warns him of the increasing presence of mysterious “metal men” in the wasteland.

Suddenly, HK drones (Hunter-Killers) from Skynet attack the colony. Max and Furiosa lead a desperate defense. During the chaos, the T-800 arrives, targeting Max again.

Max: “You’ve got bigger fish to fry, metal man!”

Realizing the HK drones are also a threat to his mission, the T-800 temporarily allies with Max and Furiosa to destroy them.

Furiosa: “If we’re teaming up, that thing better not turn on us.”
T-800: “Mission parameters unchanged. Survival benefits cooperation.”


Act 3: Skynet’s Rise in the Wasteland

The group discovers that remnants of Skynet have established a base in the wasteland, using it to build a new Terminator army. The resistance leader’s ancestor is revealed to be a young scavenger child traveling with the colony.

Skynet sends an advanced T-1000 to eliminate the child. A tense standoff occurs between the T-800 and T-1000, with Max and Furiosa joining the fight.

Max (to T-800): “Tell me you’ve got a plan.”
T-800: “I’ll handle him. You handle the child.”


Act 4: Showdown at Skynet’s Base

The heroes infiltrate Skynet’s desert stronghold. Max and Furiosa rig explosive fuel tanks, while the T-800 faces off against the T-1000 in a brutal hand-to-hand battle.

Max uses his ingenuity, setting traps and using his Interceptor as a weapon to disable Skynet’s defenses. Furiosa sacrifices her mechanical arm to save the child, further proving her grit.

Max (to Furiosa): “You’re tougher than half the machines here.”

The T-800 defeats the T-1000 by luring it into a molten pit created by a rigged fuel explosion. Severely damaged, the T-800 helps Max detonate the base, ensuring Skynet’s plans are thwarted.


Epilogue

The sun sets over the wasteland. The T-800, now beyond repair, gives a final nod to Max and Furiosa.

T-800 (to Max): “You are a survivor. Protect the future.”

The machine deactivates, and Max buries it in the desert. As Furiosa leads the child and the remaining survivors away, Max climbs into his repaired Interceptor, driving off into the horizon.

Max (to himself): “Machines, men—doesn’t matter. The wasteland takes us all in the end.”


Credits roll over a haunting orchestral score with glimpses of Skynet fragments still active beneath the sand.